Le voyage comme palimpseste identitaire dans Grande Section, le premier roman d’Hadia Decharrière

In the current context, travel and movement play an essential role in the definition of geopolitical borders as well as identity. In this sense, it is worth highlighting how the literary mosaic of contemporary Francophone xenographs reflects the imprint of current migratory processes that draw a new...

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Main Author: Ana Belen Soto
Format: Article
Language:Catalan
Published: Universidad de Murcia 2020-11-01
Series:Estudios Románicos
Subjects:
Online Access:https://revistas.um.es/estudiosromanicos/article/view/420781
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author Ana Belen Soto
author_facet Ana Belen Soto
author_sort Ana Belen Soto
collection DOAJ
description In the current context, travel and movement play an essential role in the definition of geopolitical borders as well as identity. In this sense, it is worth highlighting how the literary mosaic of contemporary Francophone xenographs reflects the imprint of current migratory processes that draw a new path and landscape in Romanesque literature. In this article, we propose to analyse Grande Section, Hadia Decharrière’s first novel, with the aim of illustrating the preponderance of autofictional writing in the aforementioned literary field. Also, this novel will allow us to address the particular nuances that the topic of the trip acquires in its scriptural project. Its theme, initially linked to geographical displacement, will allow us to outline the consequences of this identity uprooting with ontological meaning.
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spelling doaj.art-3139e6a6f078421cb913c9874ac7f6552022-12-22T03:16:49ZcatUniversidad de MurciaEstudios Románicos0210-49111989-614X2020-11-012910.6018/ER.420781Le voyage comme palimpseste identitaire dans Grande Section, le premier roman d’Hadia DecharrièreAna Belen Soto0Universidad Autónoma de MadridIn the current context, travel and movement play an essential role in the definition of geopolitical borders as well as identity. In this sense, it is worth highlighting how the literary mosaic of contemporary Francophone xenographs reflects the imprint of current migratory processes that draw a new path and landscape in Romanesque literature. In this article, we propose to analyse Grande Section, Hadia Decharrière’s first novel, with the aim of illustrating the preponderance of autofictional writing in the aforementioned literary field. Also, this novel will allow us to address the particular nuances that the topic of the trip acquires in its scriptural project. Its theme, initially linked to geographical displacement, will allow us to outline the consequences of this identity uprooting with ontological meaning.https://revistas.um.es/estudiosromanicos/article/view/420781Hadia DecharrièreVoyageAutofictionLittérature francophoneIdentitéÉcrivaines
spellingShingle Ana Belen Soto
Le voyage comme palimpseste identitaire dans Grande Section, le premier roman d’Hadia Decharrière
Estudios Románicos
Hadia Decharrière
Voyage
Autofiction
Littérature francophone
Identité
Écrivaines
title Le voyage comme palimpseste identitaire dans Grande Section, le premier roman d’Hadia Decharrière
title_full Le voyage comme palimpseste identitaire dans Grande Section, le premier roman d’Hadia Decharrière
title_fullStr Le voyage comme palimpseste identitaire dans Grande Section, le premier roman d’Hadia Decharrière
title_full_unstemmed Le voyage comme palimpseste identitaire dans Grande Section, le premier roman d’Hadia Decharrière
title_short Le voyage comme palimpseste identitaire dans Grande Section, le premier roman d’Hadia Decharrière
title_sort le voyage comme palimpseste identitaire dans grande section le premier roman d hadia decharriere
topic Hadia Decharrière
Voyage
Autofiction
Littérature francophone
Identité
Écrivaines
url https://revistas.um.es/estudiosromanicos/article/view/420781
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