Hamlet – To Be Or Not to Be and the Television Theater

To be or not to be, the famous monologue that is very present in the actors’ repertoires, has suffered many changes overtime which either gave us extraordinary moments or it was simply transformed into dialogue, it was fragmented, moved into different acts other than where the author put it. All the...

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Main Author: Cornici Antonella
Format: Article
Language:English
Published: Sciendo 2021-06-01
Series:Review of Artistic Education
Subjects:
Online Access:https://doi.org/10.2478/rae-2021-0019
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author Cornici Antonella
author_facet Cornici Antonella
author_sort Cornici Antonella
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description To be or not to be, the famous monologue that is very present in the actors’ repertoires, has suffered many changes overtime which either gave us extraordinary moments or it was simply transformed into dialogue, it was fragmented, moved into different acts other than where the author put it. All these changes were based on a directorial vision. In the television theater this scene (and even the whole show) has a different impact due to filming, editing and directorial vision. So the same show that has been watched at the theater it can be different on a television theater. In the performance hall we can watch the show as a whole, we have the chance to focus on a specific actor, on a specific image, which is something that we can lose in the television theater. In the filmed show we only see which is on the tiny screen. From this perspective, I’ve watched the famous monologue, To be or not to be, in some shows that are considered landmarks for this text only to watch it afterwards when has been taken over and edited by television.
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spelling doaj.art-31da24476ccb4f7d8e2a491ec32459cc2022-12-21T19:12:38ZengSciendoReview of Artistic Education2501-238X2021-06-0121115716310.2478/rae-2021-0019Hamlet – To Be Or Not to Be and the Television TheaterCornici Antonella0Lecturer PhD., „George Enescu” National University from Iaşi, RomaniaTo be or not to be, the famous monologue that is very present in the actors’ repertoires, has suffered many changes overtime which either gave us extraordinary moments or it was simply transformed into dialogue, it was fragmented, moved into different acts other than where the author put it. All these changes were based on a directorial vision. In the television theater this scene (and even the whole show) has a different impact due to filming, editing and directorial vision. So the same show that has been watched at the theater it can be different on a television theater. In the performance hall we can watch the show as a whole, we have the chance to focus on a specific actor, on a specific image, which is something that we can lose in the television theater. In the filmed show we only see which is on the tiny screen. From this perspective, I’ve watched the famous monologue, To be or not to be, in some shows that are considered landmarks for this text only to watch it afterwards when has been taken over and edited by television.https://doi.org/10.2478/rae-2021-0019theatershakespearetelevisionhamletmonologue
spellingShingle Cornici Antonella
Hamlet – To Be Or Not to Be and the Television Theater
Review of Artistic Education
theater
shakespeare
television
hamlet
monologue
title Hamlet – To Be Or Not to Be and the Television Theater
title_full Hamlet – To Be Or Not to Be and the Television Theater
title_fullStr Hamlet – To Be Or Not to Be and the Television Theater
title_full_unstemmed Hamlet – To Be Or Not to Be and the Television Theater
title_short Hamlet – To Be Or Not to Be and the Television Theater
title_sort hamlet to be or not to be and the television theater
topic theater
shakespeare
television
hamlet
monologue
url https://doi.org/10.2478/rae-2021-0019
work_keys_str_mv AT corniciantonella hamlettobeornottobeandthetelevisiontheater