“My Silk Road to You”: Re-imagining routes, roads, and geography in contemporary art of “Central Asia”
This paper re-focuses the Silk Road discussions from the position of contemporary art in Central Asian region. Since the late 1980s contemporary art in Central Asia boomed and it eventually became an alternative public space for the discussion of cultural transformations, social and global processes...
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Format: | Article |
Language: | English |
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SAGE Publishing
2017-01-01
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Series: | Journal of Eurasian Studies |
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Online Access: | http://www.sciencedirect.com/science/article/pii/S1879366516300318 |
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author | Diana T. Kudaibergenova |
author_facet | Diana T. Kudaibergenova |
author_sort | Diana T. Kudaibergenova |
collection | DOAJ |
description | This paper re-focuses the Silk Road discussions from the position of contemporary art in Central Asian region. Since the late 1980s contemporary art in Central Asia boomed and it eventually became an alternative public space for the discussion of cultural transformations, social and global processes and problems that local societies faced. Initially the questions raised by many artists concerned issues of lost identity and lost heritage during the period of Soviet domination in the region. Different artists started re-imagining the concept of the Self in their works and criticising the old rigid approaches to geography, history and mobility. Nomadic heritage became one of the central themes in contemporary art of Central Asia in the 1990s. Artists started experimenting with symbols of mobility, fluid borders and imagined geography of the “magic steppe” (see Kudaibergenova 2017, “Punk Shamanism”). Contemporary art in Central Asia continues to serve as a space for social critique and a space for search and re-conceptualisation of new fluid identities, geographies and region's place on the world map. In this paper I critically evaluate three themes connected to the symbolism of Silk Road heritage that many artists engage with – imagined geography, routes, roads and mobility. All three themes are present in the selected case studies of Gulnara Kasmalieva's and Muratbek Djumaliev's TransSiberian Amazons (2005) and A New Silk Road: Algorithm of Survival and Hope (2007) multi-channel video art, Victor and Elena Vorobievs' (Non)Silk Road (2006) performance and photography, Almagul Menlibayeva's My Silk Road to You video-art and photography (2010–2011), Yerbossyn Meldibekov's series on imagining Central Asia and the Mountains of Revolution (2012–2015), and Syrlybek Bekbotaev's Kyrgyz Pass installation (2014–2015) as well as Defenders of Issyk Kul (2014). I trace how artists modernise, mutate and criticise main discourses about Silk Road and what impact this has on the re-imagination processes. |
first_indexed | 2024-12-14T09:08:36Z |
format | Article |
id | doaj.art-320e7e14755d412ca599cbe351d523c2 |
institution | Directory Open Access Journal |
issn | 1879-3665 |
language | English |
last_indexed | 2024-12-14T09:08:36Z |
publishDate | 2017-01-01 |
publisher | SAGE Publishing |
record_format | Article |
series | Journal of Eurasian Studies |
spelling | doaj.art-320e7e14755d412ca599cbe351d523c22022-12-21T23:08:37ZengSAGE PublishingJournal of Eurasian Studies1879-36652017-01-0181314310.1016/j.euras.2016.11.007“My Silk Road to You”: Re-imagining routes, roads, and geography in contemporary art of “Central Asia”Diana T. Kudaibergenova0University of Lund, Lund, SwedenThis paper re-focuses the Silk Road discussions from the position of contemporary art in Central Asian region. Since the late 1980s contemporary art in Central Asia boomed and it eventually became an alternative public space for the discussion of cultural transformations, social and global processes and problems that local societies faced. Initially the questions raised by many artists concerned issues of lost identity and lost heritage during the period of Soviet domination in the region. Different artists started re-imagining the concept of the Self in their works and criticising the old rigid approaches to geography, history and mobility. Nomadic heritage became one of the central themes in contemporary art of Central Asia in the 1990s. Artists started experimenting with symbols of mobility, fluid borders and imagined geography of the “magic steppe” (see Kudaibergenova 2017, “Punk Shamanism”). Contemporary art in Central Asia continues to serve as a space for social critique and a space for search and re-conceptualisation of new fluid identities, geographies and region's place on the world map. In this paper I critically evaluate three themes connected to the symbolism of Silk Road heritage that many artists engage with – imagined geography, routes, roads and mobility. All three themes are present in the selected case studies of Gulnara Kasmalieva's and Muratbek Djumaliev's TransSiberian Amazons (2005) and A New Silk Road: Algorithm of Survival and Hope (2007) multi-channel video art, Victor and Elena Vorobievs' (Non)Silk Road (2006) performance and photography, Almagul Menlibayeva's My Silk Road to You video-art and photography (2010–2011), Yerbossyn Meldibekov's series on imagining Central Asia and the Mountains of Revolution (2012–2015), and Syrlybek Bekbotaev's Kyrgyz Pass installation (2014–2015) as well as Defenders of Issyk Kul (2014). I trace how artists modernise, mutate and criticise main discourses about Silk Road and what impact this has on the re-imagination processes.http://www.sciencedirect.com/science/article/pii/S1879366516300318contemporary artCentral AsiaSilk Roadimagined geographyheritage |
spellingShingle | Diana T. Kudaibergenova “My Silk Road to You”: Re-imagining routes, roads, and geography in contemporary art of “Central Asia” Journal of Eurasian Studies contemporary art Central Asia Silk Road imagined geography heritage |
title | “My Silk Road to You”: Re-imagining routes, roads, and geography in contemporary art of “Central Asia” |
title_full | “My Silk Road to You”: Re-imagining routes, roads, and geography in contemporary art of “Central Asia” |
title_fullStr | “My Silk Road to You”: Re-imagining routes, roads, and geography in contemporary art of “Central Asia” |
title_full_unstemmed | “My Silk Road to You”: Re-imagining routes, roads, and geography in contemporary art of “Central Asia” |
title_short | “My Silk Road to You”: Re-imagining routes, roads, and geography in contemporary art of “Central Asia” |
title_sort | my silk road to you re imagining routes roads and geography in contemporary art of central asia |
topic | contemporary art Central Asia Silk Road imagined geography heritage |
url | http://www.sciencedirect.com/science/article/pii/S1879366516300318 |
work_keys_str_mv | AT dianatkudaibergenova mysilkroadtoyoureimaginingroutesroadsandgeographyincontemporaryartofcentralasia |