Frederic Edwin Church: Humboldt’s Painter in the Andes

On April 27th, 1859, The Studio Building of New York unveils the feature exhibition of the season: The Heart of the Andes, an oil on canvas painted by Frederic Church, produced after his second trip to South America in 1857. He made sketches and studies in situ, and also wrote, in rudimentary Spanis...

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Main Author: Mariana C. Zinni
Format: Article
Language:English
Published: Iberoamericana / Vervuert 2019-03-01
Series:Iberoamericana. América Latina - España - Portugal
Subjects:
Online Access:http://journals.iai.spk-berlin.de/index.php/iberoamericana/article/view/2541
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author Mariana C. Zinni
author_facet Mariana C. Zinni
author_sort Mariana C. Zinni
collection DOAJ
description On April 27th, 1859, The Studio Building of New York unveils the feature exhibition of the season: The Heart of the Andes, an oil on canvas painted by Frederic Church, produced after his second trip to South America in 1857. He made sketches and studies in situ, and also wrote, in rudimentary Spanish, a Diary recording his experience. Traveling to South America under the influence of Humboldt seeking inspiration and artistic recognition was vital for Church’s artistic style and career. The exhibition was a success, attracting 12.000 people in three weeks before its grand European touring. In this article I would like to explore the relationship between art, science and nature, and the concept of heroic landscape painting coined by Humboldt, in Church’s New World canvases.
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spelling doaj.art-321e8f33147a452eae424371886d7c1f2022-12-22T00:16:38ZengIberoamericana / VervuertIberoamericana. América Latina - España - Portugal1577-33882255-520X2019-03-0119708911210.18441/ibam.19.2019.70.89-1121973Frederic Edwin Church: Humboldt’s Painter in the AndesMariana C. ZinniOn April 27th, 1859, The Studio Building of New York unveils the feature exhibition of the season: The Heart of the Andes, an oil on canvas painted by Frederic Church, produced after his second trip to South America in 1857. He made sketches and studies in situ, and also wrote, in rudimentary Spanish, a Diary recording his experience. Traveling to South America under the influence of Humboldt seeking inspiration and artistic recognition was vital for Church’s artistic style and career. The exhibition was a success, attracting 12.000 people in three weeks before its grand European touring. In this article I would like to explore the relationship between art, science and nature, and the concept of heroic landscape painting coined by Humboldt, in Church’s New World canvases.http://journals.iai.spk-berlin.de/index.php/iberoamericana/article/view/2541Alexander von HumboldtFrederic Edwin ChurchLandscape paintingNatureScience
spellingShingle Mariana C. Zinni
Frederic Edwin Church: Humboldt’s Painter in the Andes
Iberoamericana. América Latina - España - Portugal
Alexander von Humboldt
Frederic Edwin Church
Landscape painting
Nature
Science
title Frederic Edwin Church: Humboldt’s Painter in the Andes
title_full Frederic Edwin Church: Humboldt’s Painter in the Andes
title_fullStr Frederic Edwin Church: Humboldt’s Painter in the Andes
title_full_unstemmed Frederic Edwin Church: Humboldt’s Painter in the Andes
title_short Frederic Edwin Church: Humboldt’s Painter in the Andes
title_sort frederic edwin church humboldt s painter in the andes
topic Alexander von Humboldt
Frederic Edwin Church
Landscape painting
Nature
Science
url http://journals.iai.spk-berlin.de/index.php/iberoamericana/article/view/2541
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