The critic as transvestite: the parody nature of literary criticism

This paper explores a path in the analysis of literary criticism as an object of study. In order to convey this, this essay attempts to define literary criticism as a genre that parodies the literary text it aspires to examine. Mikhail Bakhtin’s analysis of the novelistic discourse is useful to esta...

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Main Author: David Pruneda Sentíes
Format: Article
Language:Spanish
Published: Universidad Nacional de Mar del Plata 2016-09-01
Series:Estudios de Teoría Literaria
Subjects:
Online Access:http://fh.mdp.edu.ar/revistas/index.php/etl/article/view/1644
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author David Pruneda Sentíes
author_facet David Pruneda Sentíes
author_sort David Pruneda Sentíes
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description This paper explores a path in the analysis of literary criticism as an object of study. In order to convey this, this essay attempts to define literary criticism as a genre that parodies the literary text it aspires to examine. Mikhail Bakhtin’s analysis of the novelistic discourse is useful to establish a connection between parody and criticism. Although Bakhtin discusses the novel, I ascertain that his arguments may be applied to the description of criticism as a parodic-travestying genre. Secondly, this paper discusses Linda Hutcheon’s work, which states that parody is a repetition of the original text. According to Hutcheon, this repetition implies a critical distance with the parodied text, which marks difference rather than similarity.
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spelling doaj.art-32856c1027974a3ab4d5aa32a993fe692022-12-22T03:33:15ZspaUniversidad Nacional de Mar del PlataEstudios de Teoría Literaria2313-96762016-09-015101451531526The critic as transvestite: the parody nature of literary criticismDavid Pruneda Sentíes0Universidad Nacional Autónoma de MéxicoThis paper explores a path in the analysis of literary criticism as an object of study. In order to convey this, this essay attempts to define literary criticism as a genre that parodies the literary text it aspires to examine. Mikhail Bakhtin’s analysis of the novelistic discourse is useful to establish a connection between parody and criticism. Although Bakhtin discusses the novel, I ascertain that his arguments may be applied to the description of criticism as a parodic-travestying genre. Secondly, this paper discusses Linda Hutcheon’s work, which states that parody is a repetition of the original text. According to Hutcheon, this repetition implies a critical distance with the parodied text, which marks difference rather than similarity.http://fh.mdp.edu.ar/revistas/index.php/etl/article/view/1644crítica literariaparodiatravestismoimagen críticaironía
spellingShingle David Pruneda Sentíes
The critic as transvestite: the parody nature of literary criticism
Estudios de Teoría Literaria
crítica literaria
parodia
travestismo
imagen crítica
ironía
title The critic as transvestite: the parody nature of literary criticism
title_full The critic as transvestite: the parody nature of literary criticism
title_fullStr The critic as transvestite: the parody nature of literary criticism
title_full_unstemmed The critic as transvestite: the parody nature of literary criticism
title_short The critic as transvestite: the parody nature of literary criticism
title_sort critic as transvestite the parody nature of literary criticism
topic crítica literaria
parodia
travestismo
imagen crítica
ironía
url http://fh.mdp.edu.ar/revistas/index.php/etl/article/view/1644
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