The Image, Alone: Photography, Painting and the Tableau Aesthetic in Post-Cinema
Recent art cinema has produced several experiments in the tableau that conceive entire movies based on its aesthetic. Such films blur the boundaries between cinema and installation art, and consist of a loosely connected string of tableaux which gain a degree of autonomy and therefore cannot be int...
Main Author: | Ágnes Pethő |
---|---|
Format: | Article |
Language: | English |
Published: |
Milano University Press
2015-10-01
|
Series: | Cinéma & Cie |
Online Access: | https://riviste.unimi.it/index.php/cinemaetcie/article/view/16432 |
Similar Items
-
The Tableau Vivant as a “Figure of Return” in Contemporary East European Cinema
by: Pethő Ágnes
Published: (2014-12-01) -
Roy Andersson’s Tableau Aesthetic: A Cinematic Social Space Between Painting and Theatre
by: Chinita Fátima
Published: (2018-10-01) -
Between Absorption, Abstraction and Exhibition: Inflections of the Cinematic Tableau in the Films of Corneliu Porumboiu, Roy Andersson and Joanna Hogg
by: Pethő Ágnes
Published: (2015-12-01) -
The Vertigo of the Single Image: From the Classic Narrative “Glitch” to the Post-Cinematic Adaptations of Paintings
by: Pethő Ágnes
Published: (2013-08-01) -
Ph.D. Thesis Abstract - Le cinéma en tableau vivant. L'iconographie christique entre tableau et plan
by: Valentine Robert
Published: (2008-03-01)