From motion perception to Bob Dylan.

Directionals like from New York, through the tunnel, into the dark represent a major class of spatial expressions, typically associated with locomotion (verbs). Semantically, many of their aspects are notoriously difficult to characterize, among them their characteristics (classification, typology),...

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Main Author: Kai-Uwe Carstensen
Format: Article
Language:deu
Published: Bern Open Publishing 2019-06-01
Series:Linguistik Online
Online Access:https://bop.unibe.ch/linguistik-online/article/view/5514
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author Kai-Uwe Carstensen
author_facet Kai-Uwe Carstensen
author_sort Kai-Uwe Carstensen
collection DOAJ
description Directionals like from New York, through the tunnel, into the dark represent a major class of spatial expressions, typically associated with locomotion (verbs). Semantically, many of their aspects are notoriously difficult to characterize, among them their characteristics (classification, typology), their relation to locatives (e. g. in New York, in the tunnel, in the dark), and their composition with verbs (especially in non-locomotion contexts). Cognitively, there is a big theoretical gap to fill between aspects of low-level motion perception and the conception of static situations in terms of non-actual (loco)motion. This paper first critically discusses Zwarts’ explicit formal account of directionals, then introduces a Cognitivist attentional semantics and finally applies the Cognitivist approach to directionals. It will be shown that attention-based conceptual representations are necessary components in directional semantics and explanatory for the mentioned aspects.
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spelling doaj.art-32a016720bc9461384e1a66e2861a6f12022-12-21T23:09:52ZdeuBern Open PublishingLinguistik Online1615-30142019-06-0195210.13092/lo.95.5514From motion perception to Bob Dylan.Kai-Uwe Carstensen0Universität SiegenDirectionals like from New York, through the tunnel, into the dark represent a major class of spatial expressions, typically associated with locomotion (verbs). Semantically, many of their aspects are notoriously difficult to characterize, among them their characteristics (classification, typology), their relation to locatives (e. g. in New York, in the tunnel, in the dark), and their composition with verbs (especially in non-locomotion contexts). Cognitively, there is a big theoretical gap to fill between aspects of low-level motion perception and the conception of static situations in terms of non-actual (loco)motion. This paper first critically discusses Zwarts’ explicit formal account of directionals, then introduces a Cognitivist attentional semantics and finally applies the Cognitivist approach to directionals. It will be shown that attention-based conceptual representations are necessary components in directional semantics and explanatory for the mentioned aspects.https://bop.unibe.ch/linguistik-online/article/view/5514
spellingShingle Kai-Uwe Carstensen
From motion perception to Bob Dylan.
Linguistik Online
title From motion perception to Bob Dylan.
title_full From motion perception to Bob Dylan.
title_fullStr From motion perception to Bob Dylan.
title_full_unstemmed From motion perception to Bob Dylan.
title_short From motion perception to Bob Dylan.
title_sort from motion perception to bob dylan
url https://bop.unibe.ch/linguistik-online/article/view/5514
work_keys_str_mv AT kaiuwecarstensen frommotionperceptiontobobdylan