De l’hybridité du corps dans l’art marocain
In the Arab-Muslim societies, the body often calls the notion of self-government. Caught in the sphere of the sacred Muslim, it is often the subject of discourses that mark the limits of possible behaviors. In Morocco, artistic representations of the body not only aim to translate the repression suf...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | fra |
| Published: |
Pléiade (EA 7338)
2011-11-01
|
| Series: | Itinéraires |
| Subjects: | |
| Online Access: | http://journals.openedition.org/itineraires/1570 |
| _version_ | 1828850280077197312 |
|---|---|
| author | Anouar Ouyachchi |
| author_facet | Anouar Ouyachchi |
| author_sort | Anouar Ouyachchi |
| collection | DOAJ |
| description | In the Arab-Muslim societies, the body often calls the notion of self-government. Caught in the sphere of the sacred Muslim, it is often the subject of discourses that mark the limits of possible behaviors. In Morocco, artistic representations of the body not only aim to translate the repression suffered by the latter, but also to take away the sacred aura of it. Through the notion of hybridity, we will question in this article the work of a few artists, in order to show how the Moroccan art invests the body as an instrument of quest and identity negotiation beyond the essentialist dichotomies. |
| first_indexed | 2024-12-12T23:08:35Z |
| format | Article |
| id | doaj.art-32ed5de33d4c4c3ab5fae96851e686c7 |
| institution | Directory Open Access Journal |
| issn | 2427-920X |
| language | fra |
| last_indexed | 2024-12-12T23:08:35Z |
| publishDate | 2011-11-01 |
| publisher | Pléiade (EA 7338) |
| record_format | Article |
| series | Itinéraires |
| spelling | doaj.art-32ed5de33d4c4c3ab5fae96851e686c72022-12-22T00:08:38ZfraPléiade (EA 7338)Itinéraires2427-920X2011-11-012011316317210.4000/itineraires.1570De l’hybridité du corps dans l’art marocainAnouar OuyachchiIn the Arab-Muslim societies, the body often calls the notion of self-government. Caught in the sphere of the sacred Muslim, it is often the subject of discourses that mark the limits of possible behaviors. In Morocco, artistic representations of the body not only aim to translate the repression suffered by the latter, but also to take away the sacred aura of it. Through the notion of hybridity, we will question in this article the work of a few artists, in order to show how the Moroccan art invests the body as an instrument of quest and identity negotiation beyond the essentialist dichotomies.http://journals.openedition.org/itineraires/1570bodyMoroccoarthybridityidentity |
| spellingShingle | Anouar Ouyachchi De l’hybridité du corps dans l’art marocain Itinéraires body Morocco art hybridity identity |
| title | De l’hybridité du corps dans l’art marocain |
| title_full | De l’hybridité du corps dans l’art marocain |
| title_fullStr | De l’hybridité du corps dans l’art marocain |
| title_full_unstemmed | De l’hybridité du corps dans l’art marocain |
| title_short | De l’hybridité du corps dans l’art marocain |
| title_sort | de l hybridite du corps dans l art marocain |
| topic | body Morocco art hybridity identity |
| url | http://journals.openedition.org/itineraires/1570 |
| work_keys_str_mv | AT anouarouyachchi delhybriditeducorpsdanslartmarocain |