Curators Serving the Public Good

This article investigates a principle inscribed at the top of most codes of ethics for curators: they should always “serve the public good.” No self-respecting curator would ever admit to serve “the private good,” that is, the good of the few, whether that of an elite in power or of a circle of frie...

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Main Author: Jean-Paul Martinon
Format: Article
Language:English
Published: MDPI AG 2021-04-01
Series:Philosophies
Subjects:
Online Access:https://www.mdpi.com/2409-9287/6/2/28
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author Jean-Paul Martinon
author_facet Jean-Paul Martinon
author_sort Jean-Paul Martinon
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description This article investigates a principle inscribed at the top of most codes of ethics for curators: they should always “serve the public good.” No self-respecting curator would ever admit to serve “the private good,” that is, the good of the few, whether that of an elite in power or of a circle of friends or allies. The principle of “serving the public good” is inalienable and unquestionable even in situations where it is most open to doubt. However, what exactly is the meaning of this seemingly “true” and on all accounts “universal” principle: “to serve the public good”? To address this question, I look at this principle for the way it is perceived as being both majestic in its impressive widespread acceptance and cloaked in ridicule for being so often disregarded. I will argue—with an example taken from the history of curating—that it is not the meaning attached to the principle that counts, but the respect that it enjoins. I conclude by drawing a few remarks on how the value of the “good” remains, after the principle has been cast aside and the priority of respect is acknowledged, a ghost on the horizon of all curators’ work.
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spelling doaj.art-32f90f681b0f4101a330612b32d150812024-04-28T01:13:52ZengMDPI AGPhilosophies2409-92872021-04-01622810.3390/philosophies6020028Curators Serving the Public GoodJean-Paul Martinon0Department of Visual Cultures, Goldsmiths College, University of London, London SE14 6NW, UKThis article investigates a principle inscribed at the top of most codes of ethics for curators: they should always “serve the public good.” No self-respecting curator would ever admit to serve “the private good,” that is, the good of the few, whether that of an elite in power or of a circle of friends or allies. The principle of “serving the public good” is inalienable and unquestionable even in situations where it is most open to doubt. However, what exactly is the meaning of this seemingly “true” and on all accounts “universal” principle: “to serve the public good”? To address this question, I look at this principle for the way it is perceived as being both majestic in its impressive widespread acceptance and cloaked in ridicule for being so often disregarded. I will argue—with an example taken from the history of curating—that it is not the meaning attached to the principle that counts, but the respect that it enjoins. I conclude by drawing a few remarks on how the value of the “good” remains, after the principle has been cast aside and the priority of respect is acknowledged, a ghost on the horizon of all curators’ work.https://www.mdpi.com/2409-9287/6/2/28curatingethicscode of ethicspublic goodDegenerate Art Exhibition
spellingShingle Jean-Paul Martinon
Curators Serving the Public Good
Philosophies
curating
ethics
code of ethics
public good
Degenerate Art Exhibition
title Curators Serving the Public Good
title_full Curators Serving the Public Good
title_fullStr Curators Serving the Public Good
title_full_unstemmed Curators Serving the Public Good
title_short Curators Serving the Public Good
title_sort curators serving the public good
topic curating
ethics
code of ethics
public good
Degenerate Art Exhibition
url https://www.mdpi.com/2409-9287/6/2/28
work_keys_str_mv AT jeanpaulmartinon curatorsservingthepublicgood