Language of Love in Marcelijus Martinaitis „Atmintys“

The notion of transcendental love in the context of “the eternal return”, the motif of Eros, and the image of a woman are discussed in Marcelijus Martinaitis’s book “Atmintys: meilės lyrikos albumas” (Eng. Reminiscences: the album of love lyrics”) (2008). The methods of mythopoetic thought, comparat...

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Main Author: Kristina Bačiulienė
Format: Article
Language:English
Published: Vilnius University 2014-10-01
Series:Respectus Philologicus
Subjects:
Online Access:http://www.zurnalai.vu.lt/respectus-philologicus/article/view/13752
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author Kristina Bačiulienė
author_facet Kristina Bačiulienė
author_sort Kristina Bačiulienė
collection DOAJ
description The notion of transcendental love in the context of “the eternal return”, the motif of Eros, and the image of a woman are discussed in Marcelijus Martinaitis’s book “Atmintys: meilės lyrikos albumas” (Eng. Reminiscences: the album of love lyrics”) (2008). The methods of mythopoetic thought, comparativistics, and interpretative mind have been applied. On the basis of the Bible, mythology, the notion of and relation between Eros and Love, also combining notions developed by philosophers as Nikolai Berdyaev, Erich Fromm, Vladimir Solovyev, phenomenologists as Algis Mickūnas, Mircea Eliade, Plato, and insights by popes Paul VI and Benedict XVI, a concept which might be useful in deciphering the language of love in Marcelijus Martinaitis’s book is introduced. The primary code of the album of love is the concept of memory and the notion of love as seen by Oskaras Milašius, while the secondary code relates to Dante, chivalric romance of Provence troubadours, legends of King Arthur, Celtic mythology.  The genre of M. Martinaitis’s reminiscences was born when the poet was studying in Gervinės, and the first collection of Reminiscences appeared in 1986. The text of Reminiscences was seen as hermetic, intertextual, reflecting the act of cosmogony and antropogony in permanent space-time. The process of word re-creation is associated with archetypal consciousness, and the cycle of “the eternal return” prevails. Love is perceived as transcendental and existential basis, a purpose to merge with God, God’s gift to humanity, and the vision of love object. Eros (passion) is ambivalent: it is earthly / heavenly, sinful / divine, creating / destructive, and driving power of creation. A woman is seen as earthly / sensual, divine / unreachable. An issue which motif (Christian or courtesan literature) dominates in the album of love lyrics is discussed. Album is of great interest as an immanent text.
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spelling doaj.art-33a120624c22417c95b90f8cd0c3cc382022-12-22T00:26:19ZengVilnius UniversityRespectus Philologicus1392-82952335-23882014-10-01263110.15388/RESPECTUS.2014.26.31.7Language of Love in Marcelijus Martinaitis „Atmintys“Kristina Bačiulienė0Vilnius University, LithuaniaThe notion of transcendental love in the context of “the eternal return”, the motif of Eros, and the image of a woman are discussed in Marcelijus Martinaitis’s book “Atmintys: meilės lyrikos albumas” (Eng. Reminiscences: the album of love lyrics”) (2008). The methods of mythopoetic thought, comparativistics, and interpretative mind have been applied. On the basis of the Bible, mythology, the notion of and relation between Eros and Love, also combining notions developed by philosophers as Nikolai Berdyaev, Erich Fromm, Vladimir Solovyev, phenomenologists as Algis Mickūnas, Mircea Eliade, Plato, and insights by popes Paul VI and Benedict XVI, a concept which might be useful in deciphering the language of love in Marcelijus Martinaitis’s book is introduced. The primary code of the album of love is the concept of memory and the notion of love as seen by Oskaras Milašius, while the secondary code relates to Dante, chivalric romance of Provence troubadours, legends of King Arthur, Celtic mythology.  The genre of M. Martinaitis’s reminiscences was born when the poet was studying in Gervinės, and the first collection of Reminiscences appeared in 1986. The text of Reminiscences was seen as hermetic, intertextual, reflecting the act of cosmogony and antropogony in permanent space-time. The process of word re-creation is associated with archetypal consciousness, and the cycle of “the eternal return” prevails. Love is perceived as transcendental and existential basis, a purpose to merge with God, God’s gift to humanity, and the vision of love object. Eros (passion) is ambivalent: it is earthly / heavenly, sinful / divine, creating / destructive, and driving power of creation. A woman is seen as earthly / sensual, divine / unreachable. An issue which motif (Christian or courtesan literature) dominates in the album of love lyrics is discussed. Album is of great interest as an immanent text.http://www.zurnalai.vu.lt/respectus-philologicus/article/view/13752loveEros“the eternal return”memorycourtesan love
spellingShingle Kristina Bačiulienė
Language of Love in Marcelijus Martinaitis „Atmintys“
Respectus Philologicus
love
Eros
“the eternal return”
memory
courtesan love
title Language of Love in Marcelijus Martinaitis „Atmintys“
title_full Language of Love in Marcelijus Martinaitis „Atmintys“
title_fullStr Language of Love in Marcelijus Martinaitis „Atmintys“
title_full_unstemmed Language of Love in Marcelijus Martinaitis „Atmintys“
title_short Language of Love in Marcelijus Martinaitis „Atmintys“
title_sort language of love in marcelijus martinaitis atmintys
topic love
Eros
“the eternal return”
memory
courtesan love
url http://www.zurnalai.vu.lt/respectus-philologicus/article/view/13752
work_keys_str_mv AT kristinabaciuliene languageofloveinmarcelijusmartinaitisatmintys