Gödel, Turing and the Iconic/Performative Axis

1936 was a watershed year for computability. Debates among Gödel, Church and others over the correct analysis of the intuitive concept “human effectively computable”, an analysis at the heart of the Incompleteness Theorems, the Entscheidungsproblem, the question of what a finite computation is, and...

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Main Author: Juliette Cara Kennedy
Format: Article
Language:English
Published: MDPI AG 2022-12-01
Series:Philosophies
Subjects:
Online Access:https://www.mdpi.com/2409-9287/7/6/141
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author Juliette Cara Kennedy
author_facet Juliette Cara Kennedy
author_sort Juliette Cara Kennedy
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description 1936 was a watershed year for computability. Debates among Gödel, Church and others over the correct analysis of the intuitive concept “human effectively computable”, an analysis at the heart of the Incompleteness Theorems, the Entscheidungsproblem, the question of what a finite computation is, and most urgently—for Gödel—the generality of the Incompleteness Theorems, were definitively set to rest with the appearance, in that year, of the Turing Machine. The question I explore here is, do the mathematical facts exhaust what is to be said about the thinking behind the “confluence of ideas in 1936”? I will argue for a cultural role in Gödel’s, and, by extension, the larger logical community’s absorption of Turing’s 1936 model. As scaffolding I employ a conceptual framework due to the critic Leo Marx of the technological sublime; I also make use of the distinction within the technological sublime due to Caroline Jones, between its iconic and performative modes—a distinction operating within the conceptual art of the 1960s, but serving the history of computability equally well.
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spelling doaj.art-33bf842566664e32a325b4df8bbb921c2024-04-03T08:36:23ZengMDPI AGPhilosophies2409-92872022-12-017614110.3390/philosophies7060141Gödel, Turing and the Iconic/Performative AxisJuliette Cara Kennedy0Department of Mathematics and Statistics, University of Helsinki, 00100 Helsinki, Finland1936 was a watershed year for computability. Debates among Gödel, Church and others over the correct analysis of the intuitive concept “human effectively computable”, an analysis at the heart of the Incompleteness Theorems, the Entscheidungsproblem, the question of what a finite computation is, and most urgently—for Gödel—the generality of the Incompleteness Theorems, were definitively set to rest with the appearance, in that year, of the Turing Machine. The question I explore here is, do the mathematical facts exhaust what is to be said about the thinking behind the “confluence of ideas in 1936”? I will argue for a cultural role in Gödel’s, and, by extension, the larger logical community’s absorption of Turing’s 1936 model. As scaffolding I employ a conceptual framework due to the critic Leo Marx of the technological sublime; I also make use of the distinction within the technological sublime due to Caroline Jones, between its iconic and performative modes—a distinction operating within the conceptual art of the 1960s, but serving the history of computability equally well.https://www.mdpi.com/2409-9287/7/6/141GödelTuringGreenbergmodernismtechnological sublimetechnological optimism
spellingShingle Juliette Cara Kennedy
Gödel, Turing and the Iconic/Performative Axis
Philosophies
Gödel
Turing
Greenberg
modernism
technological sublime
technological optimism
title Gödel, Turing and the Iconic/Performative Axis
title_full Gödel, Turing and the Iconic/Performative Axis
title_fullStr Gödel, Turing and the Iconic/Performative Axis
title_full_unstemmed Gödel, Turing and the Iconic/Performative Axis
title_short Gödel, Turing and the Iconic/Performative Axis
title_sort godel turing and the iconic performative axis
topic Gödel
Turing
Greenberg
modernism
technological sublime
technological optimism
url https://www.mdpi.com/2409-9287/7/6/141
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