Imaging spectroscopies to characterize a 13th century Japanese handscroll, The Miraculous Interventions of Jizō Bosatsu

Abstract Scientific imaging of a large fragile work of art can be especially challenging, but especially rewarding to better grasp the complexity and changes that have occurred during its creation and lifetime. Here, noninvasive imaging, macro X-ray fluorescence (MAXRF) imaging spectroscopy and refl...

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Main Authors: Matthew L. Clarke, Francesca Gabrieli, Kathryn L. Rowberg, Andrew Hare, Jiro Ueda, Blythe McCarthy, John K. Delaney
Format: Article
Language:English
Published: SpringerOpen 2021-02-01
Series:Heritage Science
Subjects:
Online Access:https://doi.org/10.1186/s40494-021-00497-1
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author Matthew L. Clarke
Francesca Gabrieli
Kathryn L. Rowberg
Andrew Hare
Jiro Ueda
Blythe McCarthy
John K. Delaney
author_facet Matthew L. Clarke
Francesca Gabrieli
Kathryn L. Rowberg
Andrew Hare
Jiro Ueda
Blythe McCarthy
John K. Delaney
author_sort Matthew L. Clarke
collection DOAJ
description Abstract Scientific imaging of a large fragile work of art can be especially challenging, but especially rewarding to better grasp the complexity and changes that have occurred during its creation and lifetime. Here, noninvasive imaging, macro X-ray fluorescence (MAXRF) imaging spectroscopy and reflectance imaging spectroscopy, from the visible to the near infrared spectral range, are utilized to document a 14-m-long Japanese narrative handscroll, The Miraculous Interventions of Jizō Bosatsu. Due to the scroll’s age and its handling during past use as a teaching tool, it has a number of conservation needs and shows evidence of past repairs. The scroll has extensive and severe creasing, breaks and tears, as well as unstable and powdering pigments. Microscopic observation and scientific analyses were performed both to document the current condition of the scroll and to better understand its long history. Combining RIS and MAXRF allowed for pigment characterization through elemental and molecular information. While RIS and MAXRF previously have been applied to the study of other painted materials, their application to East Asian paintings is rare. The obstacles of the scroll’s length and fragile uneven surface were overcome by optimizing the setups of the two imaging systems. The MAXRF and RIS analyses, here focused on a select scene of the scroll, found certain original pigments common in early Japanese scroll paintings were used frequently, such as vermilion, iron-based compounds (yellow and red ochres), and copper-containing greens, while others occurred sparingly, such as azurite and red lead. A chloride-containing lead-based white pigment was employed. Faded organic colorants, notably indigo as well as an organic yellow/brown, could be detected but their vibrancy has been muted over the centuries. In the case of indigo, it may be visibly observed in some areas; however, analysis revealed its previously unknown presence mixed with a copper green in a select area. This focused study sets a foundation for further studies on both this object and other Asian works of art.
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spelling doaj.art-340cf4a64be94f4986486f0f6cd1c99f2022-12-21T18:14:58ZengSpringerOpenHeritage Science2050-74452021-02-019111010.1186/s40494-021-00497-1Imaging spectroscopies to characterize a 13th century Japanese handscroll, The Miraculous Interventions of Jizō BosatsuMatthew L. Clarke0Francesca Gabrieli1Kathryn L. Rowberg2Andrew Hare3Jiro Ueda4Blythe McCarthy5John K. Delaney6Department of Conservation and Scientific Research, Freer Gallery of Art and Arthur M. Sackler Gallery, National Museum of Asian Art, Smithsonian InstitutionDepartment of Conservation and Scientific Research, Freer Gallery of Art and Arthur M. Sackler Gallery, National Museum of Asian Art, Smithsonian InstitutionDepartment of Chemistry & Physics, Purdue University NorthwestDepartment of Conservation and Scientific Research, Freer Gallery of Art and Arthur M. Sackler Gallery, National Museum of Asian Art, Smithsonian InstitutionDepartment of Conservation and Scientific Research, Freer Gallery of Art and Arthur M. Sackler Gallery, National Museum of Asian Art, Smithsonian InstitutionDepartment of Conservation and Scientific Research, Freer Gallery of Art and Arthur M. Sackler Gallery, National Museum of Asian Art, Smithsonian InstitutionScientific Research Department, National Gallery of ArtAbstract Scientific imaging of a large fragile work of art can be especially challenging, but especially rewarding to better grasp the complexity and changes that have occurred during its creation and lifetime. Here, noninvasive imaging, macro X-ray fluorescence (MAXRF) imaging spectroscopy and reflectance imaging spectroscopy, from the visible to the near infrared spectral range, are utilized to document a 14-m-long Japanese narrative handscroll, The Miraculous Interventions of Jizō Bosatsu. Due to the scroll’s age and its handling during past use as a teaching tool, it has a number of conservation needs and shows evidence of past repairs. The scroll has extensive and severe creasing, breaks and tears, as well as unstable and powdering pigments. Microscopic observation and scientific analyses were performed both to document the current condition of the scroll and to better understand its long history. Combining RIS and MAXRF allowed for pigment characterization through elemental and molecular information. While RIS and MAXRF previously have been applied to the study of other painted materials, their application to East Asian paintings is rare. The obstacles of the scroll’s length and fragile uneven surface were overcome by optimizing the setups of the two imaging systems. The MAXRF and RIS analyses, here focused on a select scene of the scroll, found certain original pigments common in early Japanese scroll paintings were used frequently, such as vermilion, iron-based compounds (yellow and red ochres), and copper-containing greens, while others occurred sparingly, such as azurite and red lead. A chloride-containing lead-based white pigment was employed. Faded organic colorants, notably indigo as well as an organic yellow/brown, could be detected but their vibrancy has been muted over the centuries. In the case of indigo, it may be visibly observed in some areas; however, analysis revealed its previously unknown presence mixed with a copper green in a select area. This focused study sets a foundation for further studies on both this object and other Asian works of art.https://doi.org/10.1186/s40494-021-00497-1JapaneseHandscrollImagingXRFFORSConservation
spellingShingle Matthew L. Clarke
Francesca Gabrieli
Kathryn L. Rowberg
Andrew Hare
Jiro Ueda
Blythe McCarthy
John K. Delaney
Imaging spectroscopies to characterize a 13th century Japanese handscroll, The Miraculous Interventions of Jizō Bosatsu
Heritage Science
Japanese
Handscroll
Imaging
XRF
FORS
Conservation
title Imaging spectroscopies to characterize a 13th century Japanese handscroll, The Miraculous Interventions of Jizō Bosatsu
title_full Imaging spectroscopies to characterize a 13th century Japanese handscroll, The Miraculous Interventions of Jizō Bosatsu
title_fullStr Imaging spectroscopies to characterize a 13th century Japanese handscroll, The Miraculous Interventions of Jizō Bosatsu
title_full_unstemmed Imaging spectroscopies to characterize a 13th century Japanese handscroll, The Miraculous Interventions of Jizō Bosatsu
title_short Imaging spectroscopies to characterize a 13th century Japanese handscroll, The Miraculous Interventions of Jizō Bosatsu
title_sort imaging spectroscopies to characterize a 13th century japanese handscroll the miraculous interventions of jizo bosatsu
topic Japanese
Handscroll
Imaging
XRF
FORS
Conservation
url https://doi.org/10.1186/s40494-021-00497-1
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