Passive Dolls and Gothic Escapes: Angela Carter’s and Margaret Atwood’s Early Novels
The article deals with Shadow Dance (1966) and Love (1971) by Angela Carter; and The Edible Woman (1969) and Lady Oracle (1976) by Margaret Atwood. It focuses on Carter’s and Atwood’s treatment of popular genres, especially the genres of romance and Gothic. Although their early writing depicts pass...
Main Author: | Katarína Labudová |
---|---|
Format: | Article |
Language: | English |
Published: |
University of Pardubice
2017-12-01
|
Series: | American and British Studies Annual |
Subjects: | |
Online Access: | https://absa.upce.cz/index.php/absa/article/view/2299 |
Similar Items
-
“Myth is more instructive than history”: (Re)constructions of Biblical Myths in Margaret Atwood’s The Handmaid’s Tale and Angela Carter’s The Passion of New Eve
by: Katarína Labudová
Published: (2010-12-01) -
Reliving the Past for Recreating the Present in Margaret Atwood's Selected Poems
by: Shaymaa Zuhair Al-Wattar
Published: (2019-09-01) -
idea de libertad en «The Lady of the House of Love» de Angela Carter desde el materialismo filosófico
by: Emilio José Álvarez Castaño
Published: (2023-11-01) -
Binary Oppositions in Margaret Atwood's The Edible Woman
by: ِAshraf Ibrahim Zidan
Published: (2023-10-01) -
Testimonies in The Testaments by Margaret Atwood: Images of Food in Gilead
by: Katarina Labudova
Published: (2020-05-01)