Petrified Beholders: The Interactive Materiality of Baldassarre Peruzzi’s <i>Perseus and Medusa</i>
Baldassarre Peruzzi’s cosmological vault fresco (1510–11) in the Villa Farnesina in Rome, prominently featuring a scene of Perseus and Medusa, showcases a dynamic operation that was often at work in the early modern period between the beholder and an immobile work of art. These types of representati...
Main Author: | Mari Yoko Hara |
---|---|
Format: | Article |
Language: | English |
Published: |
MDPI AG
2023-12-01
|
Series: | Arts |
Subjects: | |
Online Access: | https://www.mdpi.com/2076-0752/12/6/246 |
Similar Items
-
Agostino Chigi et le mythe de Psyché
by: Amélie Ferrigno
Published: (2013-07-01) -
On Architectural Practice and Arithmetic Abilities in Renaissance
Italy
by: Giulia Ceriani Sebregondi
Published: (2015-06-01) -
On Architectural Practice and Arithmetic Abilities in Renaissance Italy
by: Giulia Ceriani Sebregondi
Published: (2015-06-01) -
Baldassarre Fontana (1661-1733): some Notes and Considerations about Roman Languages in the Polish and Moravian Building Sites
by: Federico Bulfone Gransinigh
Published: (2021-07-01) -
Il ladro di Servagno
by: Marco Grimaldi
Published: (2020-12-01)