Quand la nudité féminine dit la sauvagerie : la représentation des aborigènes taiwanais dans la photographie coloniale japonaise (1895-1945)

The representation of bare-bodied Taiwanese aboriginal women was an essential theme in Japanese colonial photography. This article examines how Japanese anthropologists at the end of the nineteenth century–the main photographers of the aborigines–created photographic norms through their framing and...

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Main Author: Ju-Ling Lee
Format: Article
Language:English
Published: Institut français de recherche sur le Japon à la Maison franco-japonaise 2017-12-01
Series:Ebisu: Études Japonaises
Subjects:
Online Access:http://journals.openedition.org/ebisu/2118
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author Ju-Ling Lee
author_facet Ju-Ling Lee
author_sort Ju-Ling Lee
collection DOAJ
description The representation of bare-bodied Taiwanese aboriginal women was an essential theme in Japanese colonial photography. This article examines how Japanese anthropologists at the end of the nineteenth century–the main photographers of the aborigines–created photographic norms through their framing and placement of female bodies. It shows how these photographic themes were inspired by eighteenth-century Chinese chronicles of Taiwan and examines their influence on later generations of photographers, whose works were published in great numbers on postcards during the colonial period and circulated both within the Japanese empire and beyond. Together, these images constructed an image of a savage and timeless Taiwan on the margins of the Japanese empire.
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spelling doaj.art-34a915f2b6b8402f8ac9443bc402b9082022-12-22T04:38:35ZengInstitut français de recherche sur le Japon à la Maison franco-japonaiseEbisu: Études Japonaises2189-18932017-12-015421324710.4000/ebisu.2118Quand la nudité féminine dit la sauvagerie : la représentation des aborigènes taiwanais dans la photographie coloniale japonaise (1895-1945)Ju-Ling LeeThe representation of bare-bodied Taiwanese aboriginal women was an essential theme in Japanese colonial photography. This article examines how Japanese anthropologists at the end of the nineteenth century–the main photographers of the aborigines–created photographic norms through their framing and placement of female bodies. It shows how these photographic themes were inspired by eighteenth-century Chinese chronicles of Taiwan and examines their influence on later generations of photographers, whose works were published in great numbers on postcards during the colonial period and circulated both within the Japanese empire and beyond. Together, these images constructed an image of a savage and timeless Taiwan on the margins of the Japanese empire.http://journals.openedition.org/ebisu/2118TaiwanJapanColonial periodPhotographyChroniclesFemale body
spellingShingle Ju-Ling Lee
Quand la nudité féminine dit la sauvagerie : la représentation des aborigènes taiwanais dans la photographie coloniale japonaise (1895-1945)
Ebisu: Études Japonaises
Taiwan
Japan
Colonial period
Photography
Chronicles
Female body
title Quand la nudité féminine dit la sauvagerie : la représentation des aborigènes taiwanais dans la photographie coloniale japonaise (1895-1945)
title_full Quand la nudité féminine dit la sauvagerie : la représentation des aborigènes taiwanais dans la photographie coloniale japonaise (1895-1945)
title_fullStr Quand la nudité féminine dit la sauvagerie : la représentation des aborigènes taiwanais dans la photographie coloniale japonaise (1895-1945)
title_full_unstemmed Quand la nudité féminine dit la sauvagerie : la représentation des aborigènes taiwanais dans la photographie coloniale japonaise (1895-1945)
title_short Quand la nudité féminine dit la sauvagerie : la représentation des aborigènes taiwanais dans la photographie coloniale japonaise (1895-1945)
title_sort quand la nudite feminine dit la sauvagerie la representation des aborigenes taiwanais dans la photographie coloniale japonaise 1895 1945
topic Taiwan
Japan
Colonial period
Photography
Chronicles
Female body
url http://journals.openedition.org/ebisu/2118
work_keys_str_mv AT julinglee quandlanuditefeminineditlasauvagerielarepresentationdesaborigenestaiwanaisdanslaphotographiecolonialejaponaise18951945