THE SYNTACTIC AND SEMANTIC DIMENSIONS OF THE MUSICAL LANGUAGE IN "KYRIE" FROM JOSEPH HAYDN’S "HARMONIEMESSE"
Starting from the opening (Kyrie) of Haydn’s last opus – Harmoniemesse, the present essay propositions a synthetic model of performance analysis. First enounced by Dinu Ciocan, the analytical model is set in distinct stages of investigation and development: the structuralist approach (principles wh...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Babeș-Bolyai University
2015-12-01
|
| Series: | Studia Universitatis Babeş-Bolyai. Musica |
| Subjects: | |
| Online Access: | http://193.231.18.162/index.php/subbmusica/article/view/5093 |
| _version_ | 1797365136245129216 |
|---|---|
| author | Ciprian ŢUŢU |
| author_facet | Ciprian ŢUŢU |
| author_sort | Ciprian ŢUŢU |
| collection | DOAJ |
| description |
Starting from the opening (Kyrie) of Haydn’s last opus – Harmoniemesse, the present essay propositions a synthetic model of performance analysis. First enounced by Dinu Ciocan, the analytical model is set in distinct stages of investigation and development: the structuralist approach (principles which derive from the syntactics, semantics, and pragmatism in music) is followed by meanings from connected art fields (religion, philosophy, logics, semantics, visual arts, oratory). This modus operandi focuses at the same time on the non-verbal dimension as well as the heterogenous character of music as art, a step through which the poetics of the music is revealed – meaning the religious character, which is categorized in different stages. Continuing to discuss the theory in this analytical boundary, I will also present a possible application of this psycho-physiological archeology specific to music, which accents the syntactical as well as the semantic dimension of the musical language.
|
| first_indexed | 2024-03-08T16:44:58Z |
| format | Article |
| id | doaj.art-34a9908c97554562b362cde44f8e7f23 |
| institution | Directory Open Access Journal |
| issn | 1844-4369 2065-9628 |
| language | English |
| last_indexed | 2024-03-08T16:44:58Z |
| publishDate | 2015-12-01 |
| publisher | Babeș-Bolyai University |
| record_format | Article |
| series | Studia Universitatis Babeş-Bolyai. Musica |
| spelling | doaj.art-34a9908c97554562b362cde44f8e7f232024-01-05T09:42:06ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282015-12-01602THE SYNTACTIC AND SEMANTIC DIMENSIONS OF THE MUSICAL LANGUAGE IN "KYRIE" FROM JOSEPH HAYDN’S "HARMONIEMESSE"Ciprian ŢUŢU0Transilvania University from Brasov, Faculty of Music, Eroilor Street, no. 29, Brasov 500036, Romania, e-mail: tutuciprian@yahoo.com Starting from the opening (Kyrie) of Haydn’s last opus – Harmoniemesse, the present essay propositions a synthetic model of performance analysis. First enounced by Dinu Ciocan, the analytical model is set in distinct stages of investigation and development: the structuralist approach (principles which derive from the syntactics, semantics, and pragmatism in music) is followed by meanings from connected art fields (religion, philosophy, logics, semantics, visual arts, oratory). This modus operandi focuses at the same time on the non-verbal dimension as well as the heterogenous character of music as art, a step through which the poetics of the music is revealed – meaning the religious character, which is categorized in different stages. Continuing to discuss the theory in this analytical boundary, I will also present a possible application of this psycho-physiological archeology specific to music, which accents the syntactical as well as the semantic dimension of the musical language. http://193.231.18.162/index.php/subbmusica/article/view/5093Harmoniemesse, Joseph Haydn, Musical Language, Semantics, Syntax, Vocabulary. |
| spellingShingle | Ciprian ŢUŢU THE SYNTACTIC AND SEMANTIC DIMENSIONS OF THE MUSICAL LANGUAGE IN "KYRIE" FROM JOSEPH HAYDN’S "HARMONIEMESSE" Studia Universitatis Babeş-Bolyai. Musica Harmoniemesse, Joseph Haydn, Musical Language, Semantics, Syntax, Vocabulary. |
| title | THE SYNTACTIC AND SEMANTIC DIMENSIONS OF THE MUSICAL LANGUAGE IN "KYRIE" FROM JOSEPH HAYDN’S "HARMONIEMESSE" |
| title_full | THE SYNTACTIC AND SEMANTIC DIMENSIONS OF THE MUSICAL LANGUAGE IN "KYRIE" FROM JOSEPH HAYDN’S "HARMONIEMESSE" |
| title_fullStr | THE SYNTACTIC AND SEMANTIC DIMENSIONS OF THE MUSICAL LANGUAGE IN "KYRIE" FROM JOSEPH HAYDN’S "HARMONIEMESSE" |
| title_full_unstemmed | THE SYNTACTIC AND SEMANTIC DIMENSIONS OF THE MUSICAL LANGUAGE IN "KYRIE" FROM JOSEPH HAYDN’S "HARMONIEMESSE" |
| title_short | THE SYNTACTIC AND SEMANTIC DIMENSIONS OF THE MUSICAL LANGUAGE IN "KYRIE" FROM JOSEPH HAYDN’S "HARMONIEMESSE" |
| title_sort | syntactic and semantic dimensions of the musical language in kyrie from joseph haydn s harmoniemesse |
| topic | Harmoniemesse, Joseph Haydn, Musical Language, Semantics, Syntax, Vocabulary. |
| url | http://193.231.18.162/index.php/subbmusica/article/view/5093 |
| work_keys_str_mv | AT cipriantutu thesyntacticandsemanticdimensionsofthemusicallanguageinkyriefromjosephhaydnsharmoniemesse AT cipriantutu syntacticandsemanticdimensionsofthemusicallanguageinkyriefromjosephhaydnsharmoniemesse |