THE SYNTACTIC AND SEMANTIC DIMENSIONS OF THE MUSICAL LANGUAGE IN "KYRIE" FROM JOSEPH HAYDN’S "HARMONIEMESSE"
Starting from the opening (Kyrie) of Haydn’s last opus – Harmoniemesse, the present essay propositions a synthetic model of performance analysis. First enounced by Dinu Ciocan, the analytical model is set in distinct stages of investigation and development: the structuralist approach (principles wh...
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| Format: | Article |
| Language: | English |
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Babeș-Bolyai University
2015-12-01
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| Series: | Studia Universitatis Babeş-Bolyai. Musica |
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| Online Access: | http://193.231.18.162/index.php/subbmusica/article/view/5093 |