Cinéma et littérature

Published together in 1983 in Cinéma, Writing Temptation, these four “somewhat counter-theoretical” texts, as Hasumi Shigehiko himself described them, were written in 1980 and 1981. They allow us to grasp the originality of his criticism, which is based on the encounter of the work as an event, as w...

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Main Author: Shiguéhiko Hasumi
Format: Article
Language:English
Published: Institut français de recherche sur le Japon à la Maison franco-japonaise 2022-03-01
Series:Ebisu: Études Japonaises
Subjects:
Online Access:http://journals.openedition.org/ebisu/7465
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author Shiguéhiko Hasumi
author_facet Shiguéhiko Hasumi
author_sort Shiguéhiko Hasumi
collection DOAJ
description Published together in 1983 in Cinéma, Writing Temptation, these four “somewhat counter-theoretical” texts, as Hasumi Shigehiko himself described them, were written in 1980 and 1981. They allow us to grasp the originality of his criticism, which is based on the encounter of the work as an event, as well as on the difficulty of reviewing it in light of the epistemological framework of contemporary thought. To designate his targets, Hasumi uses the notions of institution, narrative and narration, and even culture. While undoubtedly provocative, his opinions were based above all on detailed knowledge of contemporary debates in literary and film theory, philosophy, and semiology.
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publisher Institut français de recherche sur le Japon à la Maison franco-japonaise
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spelling doaj.art-3510a107e8154a91bb9fd95b4a21b8ab2022-12-22T04:33:57ZengInstitut français de recherche sur le Japon à la Maison franco-japonaiseEbisu: Études Japonaises2189-18932022-03-015932332810.4000/ebisu.7465Cinéma et littératureShiguéhiko HasumiPublished together in 1983 in Cinéma, Writing Temptation, these four “somewhat counter-theoretical” texts, as Hasumi Shigehiko himself described them, were written in 1980 and 1981. They allow us to grasp the originality of his criticism, which is based on the encounter of the work as an event, as well as on the difficulty of reviewing it in light of the epistemological framework of contemporary thought. To designate his targets, Hasumi uses the notions of institution, narrative and narration, and even culture. While undoubtedly provocative, his opinions were based above all on detailed knowledge of contemporary debates in literary and film theory, philosophy, and semiology.http://journals.openedition.org/ebisu/7465CriticismCinemaInstitutionLiteratureNarrativeNarration
spellingShingle Shiguéhiko Hasumi
Cinéma et littérature
Ebisu: Études Japonaises
Criticism
Cinema
Institution
Literature
Narrative
Narration
title Cinéma et littérature
title_full Cinéma et littérature
title_fullStr Cinéma et littérature
title_full_unstemmed Cinéma et littérature
title_short Cinéma et littérature
title_sort cinema et litterature
topic Criticism
Cinema
Institution
Literature
Narrative
Narration
url http://journals.openedition.org/ebisu/7465
work_keys_str_mv AT shiguehikohasumi cinemaetlitterature