Between cinema and contemporary art

Between cinema and contemporary art — How is the new media changing the original architectural, technological, and discursive dimensions of the “device” cinema? How do these experiments create new displacements or points of departure from the instituted representation model? The notion of “device” a...

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Bibliographic Details
Main Authors: André Parente, Victa Carvalho
Format: Article
Language:English
Published: Pontíficia Universidade Católica de São Paulo 2009-09-01
Series:Galáxia
Online Access:https://revistas.pucsp.br/galaxia/article/view/2093
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author André Parente
Victa Carvalho
author_facet André Parente
Victa Carvalho
author_sort André Parente
collection DOAJ
description Between cinema and contemporary art — How is the new media changing the original architectural, technological, and discursive dimensions of the “device” cinema? How do these experiments create new displacements or points of departure from the instituted representation model? The notion of “device” allows us to rethink cinema, avoiding cleavages and technological, historical and aesthetic determinisms. Unlike the dominant cinema, several cinematographic works reinvent the cinematographic “device”, multiplying screens, exploiting other durations and intensities, transforming the projection room architecture, and entertaining other relations with spectators.
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spelling doaj.art-351457b97a0e4d1d9f6e99f46e8c6c4b2022-12-21T22:32:23ZengPontíficia Universidade Católica de São PauloGaláxia1519-311X1982-25532009-09-010171652Between cinema and contemporary artAndré Parente0Victa CarvalhoECO-UFRJBetween cinema and contemporary art — How is the new media changing the original architectural, technological, and discursive dimensions of the “device” cinema? How do these experiments create new displacements or points of departure from the instituted representation model? The notion of “device” allows us to rethink cinema, avoiding cleavages and technological, historical and aesthetic determinisms. Unlike the dominant cinema, several cinematographic works reinvent the cinematographic “device”, multiplying screens, exploiting other durations and intensities, transforming the projection room architecture, and entertaining other relations with spectators.https://revistas.pucsp.br/galaxia/article/view/2093
spellingShingle André Parente
Victa Carvalho
Between cinema and contemporary art
Galáxia
title Between cinema and contemporary art
title_full Between cinema and contemporary art
title_fullStr Between cinema and contemporary art
title_full_unstemmed Between cinema and contemporary art
title_short Between cinema and contemporary art
title_sort between cinema and contemporary art
url https://revistas.pucsp.br/galaxia/article/view/2093
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