Between cinema and contemporary art
Between cinema and contemporary art — How is the new media changing the original architectural, technological, and discursive dimensions of the “device” cinema? How do these experiments create new displacements or points of departure from the instituted representation model? The notion of “device” a...
Main Authors: | , |
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Format: | Article |
Language: | English |
Published: |
Pontíficia Universidade Católica de São Paulo
2009-09-01
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Series: | Galáxia |
Online Access: | https://revistas.pucsp.br/galaxia/article/view/2093 |
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author | André Parente Victa Carvalho |
author_facet | André Parente Victa Carvalho |
author_sort | André Parente |
collection | DOAJ |
description | Between cinema and contemporary art — How is the new media changing the original
architectural, technological, and discursive dimensions of the “device” cinema? How do
these experiments create new displacements or points of departure from the instituted representation
model? The notion of “device” allows us to rethink cinema, avoiding cleavages
and technological, historical and aesthetic determinisms. Unlike the dominant cinema,
several cinematographic works reinvent the cinematographic “device”, multiplying screens,
exploiting other durations and intensities, transforming the projection room architecture, and
entertaining other relations with spectators. |
first_indexed | 2024-12-16T12:03:13Z |
format | Article |
id | doaj.art-351457b97a0e4d1d9f6e99f46e8c6c4b |
institution | Directory Open Access Journal |
issn | 1519-311X 1982-2553 |
language | English |
last_indexed | 2024-12-16T12:03:13Z |
publishDate | 2009-09-01 |
publisher | Pontíficia Universidade Católica de São Paulo |
record_format | Article |
series | Galáxia |
spelling | doaj.art-351457b97a0e4d1d9f6e99f46e8c6c4b2022-12-21T22:32:23ZengPontíficia Universidade Católica de São PauloGaláxia1519-311X1982-25532009-09-010171652Between cinema and contemporary artAndré Parente0Victa CarvalhoECO-UFRJBetween cinema and contemporary art — How is the new media changing the original architectural, technological, and discursive dimensions of the “device” cinema? How do these experiments create new displacements or points of departure from the instituted representation model? The notion of “device” allows us to rethink cinema, avoiding cleavages and technological, historical and aesthetic determinisms. Unlike the dominant cinema, several cinematographic works reinvent the cinematographic “device”, multiplying screens, exploiting other durations and intensities, transforming the projection room architecture, and entertaining other relations with spectators.https://revistas.pucsp.br/galaxia/article/view/2093 |
spellingShingle | André Parente Victa Carvalho Between cinema and contemporary art Galáxia |
title | Between cinema and contemporary art |
title_full | Between cinema and contemporary art |
title_fullStr | Between cinema and contemporary art |
title_full_unstemmed | Between cinema and contemporary art |
title_short | Between cinema and contemporary art |
title_sort | between cinema and contemporary art |
url | https://revistas.pucsp.br/galaxia/article/view/2093 |
work_keys_str_mv | AT andreparente betweencinemaandcontemporaryart AT victacarvalho betweencinemaandcontemporaryart |