Ben Tilghman and the philosophy of art: in defense of the «last of the mohicans»

The article considers the view on the art of one of the most prominent figure of antiessentialism in modern art philosophy — Ben Tilghman. The radicality of his view lies in the denial of all art theories. According to Tilghman, the role of art theory is excessive and sometimes even harmful. When...

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Main Author: I. N. Nekhaeva
Format: Article
Language:English
Published: Omsk State Technical University, Federal State Budgetary Educational Institution of Higher Education 2019-09-01
Series:Омский научный вестник: Серия "Общество. История. Современность"
Subjects:
Online Access:https://www.omgtu.ru/general_information/media_omgtu/journal_of_omsk_research_journal/files/arhiv/2019/%D0%A2.%204,%20%E2%84%96%203%20(%D0%9E%D0%98%D0%A1)/112-118%20%D0%9D%D0%B5%D1%85%D0%B0%D0%B5%D0%B2%D0%B0%20%D0%98.%20%D0%9D..pdf
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author I. N. Nekhaeva
author_facet I. N. Nekhaeva
author_sort I. N. Nekhaeva
collection DOAJ
description The article considers the view on the art of one of the most prominent figure of antiessentialism in modern art philosophy — Ben Tilghman. The radicality of his view lies in the denial of all art theories. According to Tilghman, the role of art theory is excessive and sometimes even harmful. When solving purely practical problems, art requires a practical approach rather than theoretical. Critical analysis of this view on the nature of art allows us to show the true source of its radicalism — the lack of linguistic feeling, which does not give Tilghman to strictly follow the language game accepted by him, while maintaining the continuity of his own reflections
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spelling doaj.art-35557a09c2424a9f86c8237750e23ca22022-12-21T20:47:58ZengOmsk State Technical University, Federal State Budgetary Educational Institution of Higher EducationОмский научный вестник: Серия "Общество. История. Современность"2542-04882541-79832019-09-014311211810.25206/2542-0488-2019-4-3-112-118Ben Tilghman and the philosophy of art: in defense of the «last of the mohicans»I. N. Nekhaeva0Tyumen State UniversityThe article considers the view on the art of one of the most prominent figure of antiessentialism in modern art philosophy — Ben Tilghman. The radicality of his view lies in the denial of all art theories. According to Tilghman, the role of art theory is excessive and sometimes even harmful. When solving purely practical problems, art requires a practical approach rather than theoretical. Critical analysis of this view on the nature of art allows us to show the true source of its radicalism — the lack of linguistic feeling, which does not give Tilghman to strictly follow the language game accepted by him, while maintaining the continuity of his own reflectionshttps://www.omgtu.ru/general_information/media_omgtu/journal_of_omsk_research_journal/files/arhiv/2019/%D0%A2.%204,%20%E2%84%96%203%20(%D0%9E%D0%98%D0%A1)/112-118%20%D0%9D%D0%B5%D1%85%D0%B0%D0%B5%D0%B2%D0%B0%20%D0%98.%20%D0%9D..pdftilghmanwittgensteintheory of artlanguageboundaries
spellingShingle I. N. Nekhaeva
Ben Tilghman and the philosophy of art: in defense of the «last of the mohicans»
Омский научный вестник: Серия "Общество. История. Современность"
tilghman
wittgenstein
theory of art
language
boundaries
title Ben Tilghman and the philosophy of art: in defense of the «last of the mohicans»
title_full Ben Tilghman and the philosophy of art: in defense of the «last of the mohicans»
title_fullStr Ben Tilghman and the philosophy of art: in defense of the «last of the mohicans»
title_full_unstemmed Ben Tilghman and the philosophy of art: in defense of the «last of the mohicans»
title_short Ben Tilghman and the philosophy of art: in defense of the «last of the mohicans»
title_sort ben tilghman and the philosophy of art in defense of the last of the mohicans
topic tilghman
wittgenstein
theory of art
language
boundaries
url https://www.omgtu.ru/general_information/media_omgtu/journal_of_omsk_research_journal/files/arhiv/2019/%D0%A2.%204,%20%E2%84%96%203%20(%D0%9E%D0%98%D0%A1)/112-118%20%D0%9D%D0%B5%D1%85%D0%B0%D0%B5%D0%B2%D0%B0%20%D0%98.%20%D0%9D..pdf
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