Fissures of the real: deviations from mimesis in contemporary Brazilian dramaturgy
From the approach of four theatrical pieces – Apocalipse 1,11 (Teatro da Vertigem), Agreste and Projeto Body Art (by Newton Moreno), and Amores surdos (by Grace Passô) –, we intend to recognize propositions of insertion of deviant elements of the real or the referential of representation in contempo...
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| Format: | Article |
| Language: | Portuguese |
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Universidade Federal Fluminense
2018-12-01
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| Series: | Gragoatá |
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| Online Access: | http://www.gragoata.uff.br/index.php/gragoata/article/view/1171 |
| _version_ | 1818492697316425728 |
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| author | Elen de Medeiros |
| author_facet | Elen de Medeiros |
| author_sort | Elen de Medeiros |
| collection | DOAJ |
| description | From the approach of four theatrical pieces – Apocalipse 1,11 (Teatro da Vertigem), Agreste and Projeto Body Art (by Newton Moreno), and Amores surdos (by Grace Passô) –, we intend to recognize propositions of insertion of deviant elements of the real or the referential of representation in contemporary theater. In this sense, the works deal, each with a particular poetics, with strange elements that mark deviations of behavior, thus causing a displacement as to the composition of the theatrical mimesis, and approach the perceptions of social reality in its multiple marginalizations and forms of reading.
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DOI: http://dx.doi.org/10.22409/gragoata.2018n47a1171 |
| first_indexed | 2024-12-10T17:46:27Z |
| format | Article |
| id | doaj.art-3592a150429741b4b693985c7161b915 |
| institution | Directory Open Access Journal |
| issn | 1413-9073 2358-4114 |
| language | Portuguese |
| last_indexed | 2024-12-10T17:46:27Z |
| publishDate | 2018-12-01 |
| publisher | Universidade Federal Fluminense |
| record_format | Article |
| series | Gragoatá |
| spelling | doaj.art-3592a150429741b4b693985c7161b9152022-12-22T01:39:12ZporUniversidade Federal FluminenseGragoatá1413-90732358-41142018-12-012347994100710.22409/gragoata.2018n47a1171694Fissures of the real: deviations from mimesis in contemporary Brazilian dramaturgyElen de Medeiros0Universidade Federal de Minas GeraisFrom the approach of four theatrical pieces – Apocalipse 1,11 (Teatro da Vertigem), Agreste and Projeto Body Art (by Newton Moreno), and Amores surdos (by Grace Passô) –, we intend to recognize propositions of insertion of deviant elements of the real or the referential of representation in contemporary theater. In this sense, the works deal, each with a particular poetics, with strange elements that mark deviations of behavior, thus causing a displacement as to the composition of the theatrical mimesis, and approach the perceptions of social reality in its multiple marginalizations and forms of reading. --- DOI: http://dx.doi.org/10.22409/gragoata.2018n47a1171http://www.gragoata.uff.br/index.php/gragoata/article/view/1171dramaturgia contemporâneadesvios do realmimese teatralliteratura dramática. |
| spellingShingle | Elen de Medeiros Fissures of the real: deviations from mimesis in contemporary Brazilian dramaturgy Gragoatá dramaturgia contemporânea desvios do real mimese teatral literatura dramática. |
| title | Fissures of the real: deviations from mimesis in contemporary Brazilian dramaturgy |
| title_full | Fissures of the real: deviations from mimesis in contemporary Brazilian dramaturgy |
| title_fullStr | Fissures of the real: deviations from mimesis in contemporary Brazilian dramaturgy |
| title_full_unstemmed | Fissures of the real: deviations from mimesis in contemporary Brazilian dramaturgy |
| title_short | Fissures of the real: deviations from mimesis in contemporary Brazilian dramaturgy |
| title_sort | fissures of the real deviations from mimesis in contemporary brazilian dramaturgy |
| topic | dramaturgia contemporânea desvios do real mimese teatral literatura dramática. |
| url | http://www.gragoata.uff.br/index.php/gragoata/article/view/1171 |
| work_keys_str_mv | AT elendemedeiros fissuresoftherealdeviationsfrommimesisincontemporarybraziliandramaturgy |