Trash and Aesthetics in the Hoard

Trash and Aesthetics in the Hoard by Charmaine Eddy, Issue 7: The Aesthetics of Trash. This article examines two reality television series, Hoarders and Hoarding: Buried Alive, in terms of a variation in the understanding of the object in relation to value based upon an aesthetic tied to consumer ca...

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Main Author: Charmaine Eddy
Format: Article
Language:English
Published: New York City College of Technology 2015-06-01
Series:NANO
Subjects:
Online Access:https://nanocrit.com/issues/issue7/trash-and-aesthetics-hoard
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author Charmaine Eddy
author_facet Charmaine Eddy
author_sort Charmaine Eddy
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description Trash and Aesthetics in the Hoard by Charmaine Eddy, Issue 7: The Aesthetics of Trash. This article examines two reality television series, Hoarders and Hoarding: Buried Alive, in terms of a variation in the understanding of the object in relation to value based upon an aesthetic tied to consumer capitalism. Object collection is viewed as a spectacle of abjection in each episode, as items that were once worthy of purchase come to produce a garbage heap within the home. The concept of “trash” is an evaluative category applied to objects over time, but it also becomes part of the therapeutic process, as hoarders are required to dispose of their things. Object-oriented ontology, or “thing theory,” provides an alternate semiology for the object, ultimately illustrating how an evaluative aesthetics of the object in these series is linked to consumer capitalism and normative patterns of consumption.
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spelling doaj.art-35c517f53c004e719ad2a11da60a80772022-12-21T20:44:38ZengNew York City College of TechnologyNANO2160-01042015-06-017Trash and Aesthetics in the HoardCharmaine Eddy 0Trent UniversityTrash and Aesthetics in the Hoard by Charmaine Eddy, Issue 7: The Aesthetics of Trash. This article examines two reality television series, Hoarders and Hoarding: Buried Alive, in terms of a variation in the understanding of the object in relation to value based upon an aesthetic tied to consumer capitalism. Object collection is viewed as a spectacle of abjection in each episode, as items that were once worthy of purchase come to produce a garbage heap within the home. The concept of “trash” is an evaluative category applied to objects over time, but it also becomes part of the therapeutic process, as hoarders are required to dispose of their things. Object-oriented ontology, or “thing theory,” provides an alternate semiology for the object, ultimately illustrating how an evaluative aesthetics of the object in these series is linked to consumer capitalism and normative patterns of consumption.https://nanocrit.com/issues/issue7/trash-and-aesthetics-hoardhoardingtrashontologything theorycritical theorycollectingaestheticsnormative consumptionNANO: New American Notes Online
spellingShingle Charmaine Eddy
Trash and Aesthetics in the Hoard
NANO
hoarding
trash
ontology
thing theory
critical theory
collecting
aesthetics
normative consumption
NANO: New American Notes Online
title Trash and Aesthetics in the Hoard
title_full Trash and Aesthetics in the Hoard
title_fullStr Trash and Aesthetics in the Hoard
title_full_unstemmed Trash and Aesthetics in the Hoard
title_short Trash and Aesthetics in the Hoard
title_sort trash and aesthetics in the hoard
topic hoarding
trash
ontology
thing theory
critical theory
collecting
aesthetics
normative consumption
NANO: New American Notes Online
url https://nanocrit.com/issues/issue7/trash-and-aesthetics-hoard
work_keys_str_mv AT charmaineeddy trashandaestheticsinthehoard