Trash and Aesthetics in the Hoard
Trash and Aesthetics in the Hoard by Charmaine Eddy, Issue 7: The Aesthetics of Trash. This article examines two reality television series, Hoarders and Hoarding: Buried Alive, in terms of a variation in the understanding of the object in relation to value based upon an aesthetic tied to consumer ca...
Main Author: | |
---|---|
Format: | Article |
Language: | English |
Published: |
New York City College of Technology
2015-06-01
|
Series: | NANO |
Subjects: | |
Online Access: | https://nanocrit.com/issues/issue7/trash-and-aesthetics-hoard |
_version_ | 1818827173735170048 |
---|---|
author | Charmaine Eddy |
author_facet | Charmaine Eddy |
author_sort | Charmaine Eddy |
collection | DOAJ |
description | Trash and Aesthetics in the Hoard by Charmaine Eddy, Issue 7: The Aesthetics of Trash. This article examines two reality television series, Hoarders and Hoarding: Buried Alive, in terms of a variation in the understanding of the object in relation to value based upon an aesthetic tied to consumer capitalism. Object collection is viewed as a spectacle of abjection in each episode, as items that were once worthy of purchase come to produce a garbage heap within the home. The concept of “trash” is an evaluative category applied to objects over time, but it also becomes part of the therapeutic process, as hoarders are required to dispose of their things. Object-oriented ontology, or “thing theory,” provides an alternate semiology for the object, ultimately illustrating how an evaluative aesthetics of the object in these series is linked to consumer capitalism and normative patterns of consumption. |
first_indexed | 2024-12-19T00:39:21Z |
format | Article |
id | doaj.art-35c517f53c004e719ad2a11da60a8077 |
institution | Directory Open Access Journal |
issn | 2160-0104 |
language | English |
last_indexed | 2024-12-19T00:39:21Z |
publishDate | 2015-06-01 |
publisher | New York City College of Technology |
record_format | Article |
series | NANO |
spelling | doaj.art-35c517f53c004e719ad2a11da60a80772022-12-21T20:44:38ZengNew York City College of TechnologyNANO2160-01042015-06-017Trash and Aesthetics in the HoardCharmaine Eddy 0Trent UniversityTrash and Aesthetics in the Hoard by Charmaine Eddy, Issue 7: The Aesthetics of Trash. This article examines two reality television series, Hoarders and Hoarding: Buried Alive, in terms of a variation in the understanding of the object in relation to value based upon an aesthetic tied to consumer capitalism. Object collection is viewed as a spectacle of abjection in each episode, as items that were once worthy of purchase come to produce a garbage heap within the home. The concept of “trash” is an evaluative category applied to objects over time, but it also becomes part of the therapeutic process, as hoarders are required to dispose of their things. Object-oriented ontology, or “thing theory,” provides an alternate semiology for the object, ultimately illustrating how an evaluative aesthetics of the object in these series is linked to consumer capitalism and normative patterns of consumption.https://nanocrit.com/issues/issue7/trash-and-aesthetics-hoardhoardingtrashontologything theorycritical theorycollectingaestheticsnormative consumptionNANO: New American Notes Online |
spellingShingle | Charmaine Eddy Trash and Aesthetics in the Hoard NANO hoarding trash ontology thing theory critical theory collecting aesthetics normative consumption NANO: New American Notes Online |
title | Trash and Aesthetics in the Hoard |
title_full | Trash and Aesthetics in the Hoard |
title_fullStr | Trash and Aesthetics in the Hoard |
title_full_unstemmed | Trash and Aesthetics in the Hoard |
title_short | Trash and Aesthetics in the Hoard |
title_sort | trash and aesthetics in the hoard |
topic | hoarding trash ontology thing theory critical theory collecting aesthetics normative consumption NANO: New American Notes Online |
url | https://nanocrit.com/issues/issue7/trash-and-aesthetics-hoard |
work_keys_str_mv | AT charmaineeddy trashandaestheticsinthehoard |