Street Art as a Discursive Site for Negotiating Pluricultural Governance

The Oaxaca Commune, a popular uprising that grew into a broad-based movement for social justice, erupted in June 2006 in the capital of the state of Oaxaca in southern Mexico. In this article, I analyze various forms of street art created in the Oaxaca Commune, including graffiti and print media, t...

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Main Author: Lorraine J. Affourtit
Format: Article
Language:English
Published: University of Florida, College of Journalism and Communications 2023-12-01
Series:Journal of Public Interest Communications
Online Access:https://journals.flvc.org/jpic/article/view/134992
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author Lorraine J. Affourtit
author_facet Lorraine J. Affourtit
author_sort Lorraine J. Affourtit
collection DOAJ
description The Oaxaca Commune, a popular uprising that grew into a broad-based movement for social justice, erupted in June 2006 in the capital of the state of Oaxaca in southern Mexico. In this article, I analyze various forms of street art created in the Oaxaca Commune, including graffiti and print media, to examine how these formations created a matrix of visual discourse mapping the political terrain of the Oaxaca Commune onto the spatial terrain of Oaxaca City. Artist collectives mobilized the aesthetics of Mexican graphic agitprop, revolutionary iconography, and religious traditions to create a site for dialogue and negotiation among civil society about key issues of the movement, the development of a popular assembly, and the future of Oaxaca’s democracy.  
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spelling doaj.art-35ffe81a03da4464ba186e55912c29662023-12-25T05:16:45ZengUniversity of Florida, College of Journalism and CommunicationsJournal of Public Interest Communications2573-43422023-12-017210.32473/jpic.v7.i2.p26Street Art as a Discursive Site for Negotiating Pluricultural GovernanceLorraine J. Affourtit The Oaxaca Commune, a popular uprising that grew into a broad-based movement for social justice, erupted in June 2006 in the capital of the state of Oaxaca in southern Mexico. In this article, I analyze various forms of street art created in the Oaxaca Commune, including graffiti and print media, to examine how these formations created a matrix of visual discourse mapping the political terrain of the Oaxaca Commune onto the spatial terrain of Oaxaca City. Artist collectives mobilized the aesthetics of Mexican graphic agitprop, revolutionary iconography, and religious traditions to create a site for dialogue and negotiation among civil society about key issues of the movement, the development of a popular assembly, and the future of Oaxaca’s democracy.   https://journals.flvc.org/jpic/article/view/134992
spellingShingle Lorraine J. Affourtit
Street Art as a Discursive Site for Negotiating Pluricultural Governance
Journal of Public Interest Communications
title Street Art as a Discursive Site for Negotiating Pluricultural Governance
title_full Street Art as a Discursive Site for Negotiating Pluricultural Governance
title_fullStr Street Art as a Discursive Site for Negotiating Pluricultural Governance
title_full_unstemmed Street Art as a Discursive Site for Negotiating Pluricultural Governance
title_short Street Art as a Discursive Site for Negotiating Pluricultural Governance
title_sort street art as a discursive site for negotiating pluricultural governance
url https://journals.flvc.org/jpic/article/view/134992
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