Uomo interrogante — “The Questioner”: About Some Iconological Features of the Interpretation of Gospel in Renaissance Painting
The article analyses several Italian Renaissance works of art on Gospel themes that show a new type of character, “The Questioner” (Uomo interrogante), who through the interpretation of the Gospel by means of painting turns from an episodic character into a protagonist engaged in a dialogue with God...
Váldodahkki: | Natalia F. Borovskaya |
---|---|
Materiálatiipa: | Artihkal |
Giella: | English |
Almmustuhtton: |
Russian Academy of Sciences. A.M. Gorky Institute of World Literature
2022-05-01
|
Ráidu: | Достоевский и мировая культура: Филологический журнал |
Fáttát: | |
Liŋkkat: | http://dostmirkult.ru/images/2022-2/06_Borovskaya_175-191.pdf |
Geahča maid
-
Didactic iconology
Dahkki: Roberto Farné
Almmustuhtton: (2019-10-01) -
Iconology of Saint Mary’s Figurine in Renaissance Era Paintings and Comparing that with Saint Mary’s Traits in Quran Verses
Dahkki: Ashraf Alsadat Musavi Lar, et al.
Almmustuhtton: (2018-12-01) -
Study of iconography and iconology on the visual appearance of Ondel-ondel
Dahkki: Mita Purbasari Wahidiyat, et al.
Almmustuhtton: (2023-12-01) -
Rebirth public creativity and reconciliation conflict towards mural in Solo, Indonesia (iconography-iconology analysis)
Dahkki: Bedjo Riyanto, et al.
Almmustuhtton: (2023-12-01) -
A Critique of the Book “Image and Word: Approaches to Iconology”
Dahkki: Leila Ghaffari, et al.
Almmustuhtton: (2020-04-01)