Uomo interrogante — “The Questioner”: About Some Iconological Features of the Interpretation of Gospel in Renaissance Painting
The article analyses several Italian Renaissance works of art on Gospel themes that show a new type of character, “The Questioner” (Uomo interrogante), who through the interpretation of the Gospel by means of painting turns from an episodic character into a protagonist engaged in a dialogue with God...
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| Médium: | Článek |
| Jazyk: | English |
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Russian Academy of Sciences. A.M. Gorky Institute of World Literature
2022-05-01
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| Edice: | Достоевский и мировая культура: Филологический журнал |
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| On-line přístup: | http://dostmirkult.ru/images/2022-2/06_Borovskaya_175-191.pdf |