Uomo interrogante — “The Questioner”: About Some Iconological Features of the Interpretation of Gospel in Renaissance Painting

The article analyses several Italian Renaissance works of art on Gospel themes that show a new type of character, “The Questioner” (Uomo interrogante), who through the interpretation of the Gospel by means of painting turns from an episodic character into a protagonist engaged in a dialogue with God...

ver descrição completa

Detalhes bibliográficos
Autor principal: Natalia F. Borovskaya
Formato: Artigo
Idioma:English
Publicado em: Russian Academy of Sciences. A.M. Gorky Institute of World Literature 2022-05-01
Colecção:Достоевский и мировая культура: Филологический журнал
Assuntos:
Acesso em linha:http://dostmirkult.ru/images/2022-2/06_Borovskaya_175-191.pdf