Uomo interrogante — “The Questioner”: About Some Iconological Features of the Interpretation of Gospel in Renaissance Painting

The article analyses several Italian Renaissance works of art on Gospel themes that show a new type of character, “The Questioner” (Uomo interrogante), who through the interpretation of the Gospel by means of painting turns from an episodic character into a protagonist engaged in a dialogue with God...

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Bibliografske podrobnosti
Glavni avtor: Natalia F. Borovskaya
Format: Article
Jezik:English
Izdano: Russian Academy of Sciences. A.M. Gorky Institute of World Literature 2022-05-01
Serija:Достоевский и мировая культура: Филологический журнал
Teme:
Online dostop:http://dostmirkult.ru/images/2022-2/06_Borovskaya_175-191.pdf