Uomo interrogante — “The Questioner”: About Some Iconological Features of the Interpretation of Gospel in Renaissance Painting
The article analyses several Italian Renaissance works of art on Gospel themes that show a new type of character, “The Questioner” (Uomo interrogante), who through the interpretation of the Gospel by means of painting turns from an episodic character into a protagonist engaged in a dialogue with God...
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| Định dạng: | Bài viết |
| Ngôn ngữ: | English |
| Được phát hành: |
Russian Academy of Sciences. A.M. Gorky Institute of World Literature
2022-05-01
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| Loạt: | Достоевский и мировая культура: Филологический журнал |
| Những chủ đề: | |
| Truy cập trực tuyến: | http://dostmirkult.ru/images/2022-2/06_Borovskaya_175-191.pdf |