Chaucer’s Early Poem “Book of the Duchess”: Features of Topics

The article discusses the meaning of the poem The Book of the Duchess by Geoffrey Chaucer, which is considered as a multi-layered structure. Traditionally popular topics in Chaucerian studies related to this work are those that involve discussion of questions about the validity of the publishers’ ch...

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Main Author: Vadim B. Semenov
Format: Article
Language:English
Published: A.M. Gorky Institute of World Literature of the Russian Academy of Sciences 2024-03-01
Series:Studia Litterarum
Subjects:
Online Access:https://studlit.ru/images/2024-9-1/02_Semenov.pdf
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author Vadim B. Semenov
author_facet Vadim B. Semenov
author_sort Vadim B. Semenov
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description The article discusses the meaning of the poem The Book of the Duchess by Geoffrey Chaucer, which is considered as a multi-layered structure. Traditionally popular topics in Chaucerian studies related to this work are those that involve discussion of questions about the validity of the publishers’ choice of one of the surviving titles for the poem, about the correlation of the images of the main characters, including the Dreamer, in the plot and narrative, about the motivation for the two-part type of composition (The Proemium and The Dream) and the function of using in the plot of the retelling from Ovid’s Metamorphoses (the story of Ceyx and Alcyone), and finally, about the connection of this retelling with the “Boethian” poems of Guillaume de Machaut. The author of the article consistently touches on the essence of the listed issues, in order to finally present his own concept of the form and meaning of Chaucer’s early poem. In particular, the primacy of the image of the lady lost by the knight is questioned. The author of the article proposes to consider the structure of the work as a voluminous, multi-layered object, under the outer layer of which (the praising of the queen stolen by Fortune, whose prototype was Blanche the Duchess of Lancaster) there is a layer with a focus on the complaining knight (and the implicit function inherent in the elements of this layer of praising this knight for his courtliness, education, and qualities of a lover), which, in turn, hides the third layer, the semantic core of which is in the theme of Chaucer’s own competition with Guillaume de Machaut and Ovid in the realm of poetic fantasies.
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spelling doaj.art-37b1502ab74a40bca7bc8dba0f7cfbdc2024-03-14T09:54:50ZengA.M. Gorky Institute of World Literature of the Russian Academy of SciencesStudia Litterarum2500-42472541-85642024-03-0191305110.22455/2500-4247-2024-9-1-30-51Chaucer’s Early Poem “Book of the Duchess”: Features of TopicsVadim B. Semenov0https://orcid.org/0000-0003-2532-5381Lomonosov Moscow State University, Moscow, RussiaThe article discusses the meaning of the poem The Book of the Duchess by Geoffrey Chaucer, which is considered as a multi-layered structure. Traditionally popular topics in Chaucerian studies related to this work are those that involve discussion of questions about the validity of the publishers’ choice of one of the surviving titles for the poem, about the correlation of the images of the main characters, including the Dreamer, in the plot and narrative, about the motivation for the two-part type of composition (The Proemium and The Dream) and the function of using in the plot of the retelling from Ovid’s Metamorphoses (the story of Ceyx and Alcyone), and finally, about the connection of this retelling with the “Boethian” poems of Guillaume de Machaut. The author of the article consistently touches on the essence of the listed issues, in order to finally present his own concept of the form and meaning of Chaucer’s early poem. In particular, the primacy of the image of the lady lost by the knight is questioned. The author of the article proposes to consider the structure of the work as a voluminous, multi-layered object, under the outer layer of which (the praising of the queen stolen by Fortune, whose prototype was Blanche the Duchess of Lancaster) there is a layer with a focus on the complaining knight (and the implicit function inherent in the elements of this layer of praising this knight for his courtliness, education, and qualities of a lover), which, in turn, hides the third layer, the semantic core of which is in the theme of Chaucer’s own competition with Guillaume de Machaut and Ovid in the realm of poetic fantasies.https://studlit.ru/images/2024-9-1/02_Semenov.pdfgeoffrey chaucertopicsthe book of the duchessla fonteinne amoreusescachs d’amorchivalric romancedream motifgenre of complaintchess metaphorboethian consolation
spellingShingle Vadim B. Semenov
Chaucer’s Early Poem “Book of the Duchess”: Features of Topics
Studia Litterarum
geoffrey chaucer
topics
the book of the duchess
la fonteinne amoreuse
scachs d’amor
chivalric romance
dream motif
genre of complaint
chess metaphor
boethian consolation
title Chaucer’s Early Poem “Book of the Duchess”: Features of Topics
title_full Chaucer’s Early Poem “Book of the Duchess”: Features of Topics
title_fullStr Chaucer’s Early Poem “Book of the Duchess”: Features of Topics
title_full_unstemmed Chaucer’s Early Poem “Book of the Duchess”: Features of Topics
title_short Chaucer’s Early Poem “Book of the Duchess”: Features of Topics
title_sort chaucer s early poem book of the duchess features of topics
topic geoffrey chaucer
topics
the book of the duchess
la fonteinne amoreuse
scachs d’amor
chivalric romance
dream motif
genre of complaint
chess metaphor
boethian consolation
url https://studlit.ru/images/2024-9-1/02_Semenov.pdf
work_keys_str_mv AT vadimbsemenov chaucersearlypoembookoftheduchessfeaturesoftopics