Mocking Andromeda in Julia Constance Fletcher’s The Fantasticks (1900)
The early 2000s, Catherine Delyfer observes, saw unprecedented scholarly interest in the fin-de-siècle’s ‘more conflicted women artists, essayists, poets, and novelists, whose works often broach New Woman themes but from an aloof, highly literary angle, foregrounding aesthetic issues and complex gen...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2022-10-01
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| Series: | Cahiers Victoriens et Edouardiens |
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| Online Access: | http://journals.openedition.org/cve/11924 |