Los desafíos de escenificar el “alma nacional”. Chile en la Exposición Iberoamericana de Sevilla (1929).

This article examines Chilean national imaginaries during the 1920s and their graphic and material representation. It does so through a concrete case: the preparations and staging of Chile's pavilion in the Ibero-American Exposition of 1929 in Seville. The study begins by explaining the influen...

Full description

Bibliographic Details
Main Author: Sylvia Dümmer Scheel.
Format: Article
Language:Spanish
Published: Universidad de los Andes 2010-09-01
Series:Historia Crítica
Subjects:
Online Access:http://historiacritica.uniandes.edu.co/view.php/679/index.php?id=679
_version_ 1811312825941884928
author Sylvia Dümmer Scheel.
author_facet Sylvia Dümmer Scheel.
author_sort Sylvia Dümmer Scheel.
collection DOAJ
description This article examines Chilean national imaginaries during the 1920s and their graphic and material representation. It does so through a concrete case: the preparations and staging of Chile's pavilion in the Ibero-American Exposition of 1929 in Seville. The study begins by explaining the influence of culturalist nationalism on Chilean imaginaries and the need to represent the "national soul" in the exposition. It then analyzes how these ideas were physically and graphically represented in the country's exhibit. Special attention is paid to the representational challenges and the negotiations between different participants concerning the content of the exhibit.
first_indexed 2024-04-13T10:43:25Z
format Article
id doaj.art-37e576fba98c48adb4ec38a4bbe9f2a8
institution Directory Open Access Journal
issn 0121-1617
1900-6152
language Spanish
last_indexed 2024-04-13T10:43:25Z
publishDate 2010-09-01
publisher Universidad de los Andes
record_format Article
series Historia Crítica
spelling doaj.art-37e576fba98c48adb4ec38a4bbe9f2a82022-12-22T02:49:51ZspaUniversidad de los AndesHistoria Crítica0121-16171900-61522010-09-014284111Los desafíos de escenificar el “alma nacional”. Chile en la Exposición Iberoamericana de Sevilla (1929).Sylvia Dümmer Scheel.This article examines Chilean national imaginaries during the 1920s and their graphic and material representation. It does so through a concrete case: the preparations and staging of Chile's pavilion in the Ibero-American Exposition of 1929 in Seville. The study begins by explaining the influence of culturalist nationalism on Chilean imaginaries and the need to represent the "national soul" in the exposition. It then analyzes how these ideas were physically and graphically represented in the country's exhibit. Special attention is paid to the representational challenges and the negotiations between different participants concerning the content of the exhibit.http://historiacritica.uniandes.edu.co/view.php/679/index.php?id=679Chilenational imaginariesrepresentation"natio­nal soul" Ibero-American Exposition of Seville (1929)
spellingShingle Sylvia Dümmer Scheel.
Los desafíos de escenificar el “alma nacional”. Chile en la Exposición Iberoamericana de Sevilla (1929).
Historia Crítica
Chile
national imaginaries
representation
"natio­nal soul
" Ibero-American Exposition of Seville (1929)
title Los desafíos de escenificar el “alma nacional”. Chile en la Exposición Iberoamericana de Sevilla (1929).
title_full Los desafíos de escenificar el “alma nacional”. Chile en la Exposición Iberoamericana de Sevilla (1929).
title_fullStr Los desafíos de escenificar el “alma nacional”. Chile en la Exposición Iberoamericana de Sevilla (1929).
title_full_unstemmed Los desafíos de escenificar el “alma nacional”. Chile en la Exposición Iberoamericana de Sevilla (1929).
title_short Los desafíos de escenificar el “alma nacional”. Chile en la Exposición Iberoamericana de Sevilla (1929).
title_sort los desafios de escenificar el alma nacional chile en la exposicion iberoamericana de sevilla 1929
topic Chile
national imaginaries
representation
"natio­nal soul
" Ibero-American Exposition of Seville (1929)
url http://historiacritica.uniandes.edu.co/view.php/679/index.php?id=679
work_keys_str_mv AT sylviadummerscheel losdesafiosdeescenificarelalmanacionalchileenlaexposicioniberoamericanadesevilla1929