An Auto-Ethnography of Engagement Through Dance

This paper proposes a reflection on collaboration through dance. Drawing on ten years of fieldwork within the Swiss contemporary dance scene, the author, an anthropologist, dance scholar, and dancer, discusses her ethnographic practice, method, and writing inspired by collaborative anthropology. Th...

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Main Author: Claire Vionnet
Format: Article
Language:deu
Published: Bern Open Publishing 2022-04-01
Series:Swiss Journal of Sociocultural Anthropology
Subjects:
Online Access:https://journal-sa.ch/article/view/7770
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author Claire Vionnet
author_facet Claire Vionnet
author_sort Claire Vionnet
collection DOAJ
description This paper proposes a reflection on collaboration through dance. Drawing on ten years of fieldwork within the Swiss contemporary dance scene, the author, an anthropologist, dance scholar, and dancer, discusses her ethnographic practice, method, and writing inspired by collaborative anthropology. The first part of the paper advocates for dance as a practice-based research method, and for auto-ethnography to convey anthropological knowledge in a more accessible way. Research-creation is claimed to particularly suit sensorial topics, tending toward symmetrical relationships between anthropologists and fieldwork interlocutors. Drawing on an applied anthropological project using djembe dances for better social cohesion, the second part of the paper shows one possible engagement with society through dance practice. Generating intimacy and misconceptions, the project Kunda emphasizes how dance can become a laboratory to learn and negotiate intercultural differences.
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spelling doaj.art-3808bfdbad7e43d1bcef95d3835a185e2023-10-05T09:15:09ZdeuBern Open PublishingSwiss Journal of Sociocultural Anthropology2813-52292813-52372022-04-012710.36950/tsantsa.2022.27.7770An Auto-Ethnography of Engagement Through DanceClaire Vionnet0University of Bern, University of Paris 8 This paper proposes a reflection on collaboration through dance. Drawing on ten years of fieldwork within the Swiss contemporary dance scene, the author, an anthropologist, dance scholar, and dancer, discusses her ethnographic practice, method, and writing inspired by collaborative anthropology. The first part of the paper advocates for dance as a practice-based research method, and for auto-ethnography to convey anthropological knowledge in a more accessible way. Research-creation is claimed to particularly suit sensorial topics, tending toward symmetrical relationships between anthropologists and fieldwork interlocutors. Drawing on an applied anthropological project using djembe dances for better social cohesion, the second part of the paper shows one possible engagement with society through dance practice. Generating intimacy and misconceptions, the project Kunda emphasizes how dance can become a laboratory to learn and negotiate intercultural differences. https://journal-sa.ch/article/view/7770auto-ethnographycontemporary dancepractice-based researchSenegalese dancesocial engagementstructural racism
spellingShingle Claire Vionnet
An Auto-Ethnography of Engagement Through Dance
Swiss Journal of Sociocultural Anthropology
auto-ethnography
contemporary dance
practice-based research
Senegalese dance
social engagement
structural racism
title An Auto-Ethnography of Engagement Through Dance
title_full An Auto-Ethnography of Engagement Through Dance
title_fullStr An Auto-Ethnography of Engagement Through Dance
title_full_unstemmed An Auto-Ethnography of Engagement Through Dance
title_short An Auto-Ethnography of Engagement Through Dance
title_sort auto ethnography of engagement through dance
topic auto-ethnography
contemporary dance
practice-based research
Senegalese dance
social engagement
structural racism
url https://journal-sa.ch/article/view/7770
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