Becoming-Ariel: Viewing Julie Taymor’s The Tempest through an Ecocritical Lens

The burgeoning field of ecocriticism takes what Cheryll Glotfelty has referred to as an “earth-centered approach” to cultural productions, with ecocritics sharing a concern with the interconnectedness of human and non-human spheres. This article presents a brief overview of some ecocritical readings...

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Main Author: Clare Sibley-Esposito
Format: Article
Language:English
Published: Université du Sud Toulon-Var 2012-02-01
Series:Babel: Littératures Plurielles
Subjects:
Online Access:http://journals.openedition.org/babel/156
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author Clare Sibley-Esposito
author_facet Clare Sibley-Esposito
author_sort Clare Sibley-Esposito
collection DOAJ
description The burgeoning field of ecocriticism takes what Cheryll Glotfelty has referred to as an “earth-centered approach” to cultural productions, with ecocritics sharing a concern with the interconnectedness of human and non-human spheres. This article presents a brief overview of some ecocritical readings of The Tempest, before interpreting Julie Taymor’s cinematographic adaptation in the light of such considerations. Taymor attributes a rather unproblematic power of manipulation of the natural world to her Prospera, yet some of her directorial choices, operating within the specificity of the film medium, tend nonetheless to highlight certain ecocritically-relevant dimensions of Shakespeare’s text. By viewing the film through an ecocritical lens, whilst borrowing terminology from Gilles Deleuze and Félix Guattari, the figure of Ariel can be seen as operating on a “molecular plane” of ontological interconnectivity, in contrast to the “molar mode” of binary oppositions inherent in Prospera’s desire to dominate natural forces.
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spelling doaj.art-380fc2b4796c496a9d387ae3f2a7ea5d2022-12-22T02:28:55ZengUniversité du Sud Toulon-VarBabel: Littératures Plurielles1277-78972263-47462012-02-012412113410.4000/babel.156Becoming-Ariel: Viewing Julie Taymor’s The Tempest through an Ecocritical LensClare Sibley-EspositoThe burgeoning field of ecocriticism takes what Cheryll Glotfelty has referred to as an “earth-centered approach” to cultural productions, with ecocritics sharing a concern with the interconnectedness of human and non-human spheres. This article presents a brief overview of some ecocritical readings of The Tempest, before interpreting Julie Taymor’s cinematographic adaptation in the light of such considerations. Taymor attributes a rather unproblematic power of manipulation of the natural world to her Prospera, yet some of her directorial choices, operating within the specificity of the film medium, tend nonetheless to highlight certain ecocritically-relevant dimensions of Shakespeare’s text. By viewing the film through an ecocritical lens, whilst borrowing terminology from Gilles Deleuze and Félix Guattari, the figure of Ariel can be seen as operating on a “molecular plane” of ontological interconnectivity, in contrast to the “molar mode” of binary oppositions inherent in Prospera’s desire to dominate natural forces.http://journals.openedition.org/babel/156The TempestArielecocriticism
spellingShingle Clare Sibley-Esposito
Becoming-Ariel: Viewing Julie Taymor’s The Tempest through an Ecocritical Lens
Babel: Littératures Plurielles
The Tempest
Ariel
ecocriticism
title Becoming-Ariel: Viewing Julie Taymor’s The Tempest through an Ecocritical Lens
title_full Becoming-Ariel: Viewing Julie Taymor’s The Tempest through an Ecocritical Lens
title_fullStr Becoming-Ariel: Viewing Julie Taymor’s The Tempest through an Ecocritical Lens
title_full_unstemmed Becoming-Ariel: Viewing Julie Taymor’s The Tempest through an Ecocritical Lens
title_short Becoming-Ariel: Viewing Julie Taymor’s The Tempest through an Ecocritical Lens
title_sort becoming ariel viewing julie taymor s the tempest through an ecocritical lens
topic The Tempest
Ariel
ecocriticism
url http://journals.openedition.org/babel/156
work_keys_str_mv AT claresibleyesposito becomingarielviewingjulietaymorsthetempestthroughanecocriticallens