Deconstructing Female Friends

One of Fay Weldon’s early novels, Female Friends (1975), published at the peak of her feminist ’phase’, deconstructs female and feminine stereotypes in order to present the writer’s own views on feminism. It speaks for a generation of women, who struggle to find their place in a male-dominated wo...

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Main Author: Adela Cornelia IANCU (MATEI)
Format: Article
Language:English
Published: Casa Cărții de Știință 2014-10-01
Series:Cultural Intertexts
Subjects:
Online Access:https://b00e8ea91c.clvaw-cdnwnd.com/4fb470e8cbb34a32a0dc1701f8d7322d/200000360-0b5ad0b5af/39-44%20Iancu%20(Matei)%20-%20Deconstructing%20Female%20Friends.pdf
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author Adela Cornelia IANCU (MATEI)
author_facet Adela Cornelia IANCU (MATEI)
author_sort Adela Cornelia IANCU (MATEI)
collection DOAJ
description One of Fay Weldon’s early novels, Female Friends (1975), published at the peak of her feminist ’phase’, deconstructs female and feminine stereotypes in order to present the writer’s own views on feminism. It speaks for a generation of women, who struggle to find their place in a male-dominated world, through three protagonists, who are neither happy, nor perfect. Narrated by the character Chloe, the novel revolves around her and her friends, Grace and Marjorie, with an aim at depicting the falsehood and hypocrisy that surround female friendship. It is precisely where Weldon’s specificity as a feminist writer lies: in her rendering the imperfections of women’s characters and relationships. This paper attempts to trace such elements of ‘fayminism’ in Female Friends by resorting to the tools of the feminist critic.
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spelling doaj.art-3862fa65f27f4a309a2e3797a132af892022-12-22T04:29:40ZengCasa Cărții de ȘtiințăCultural Intertexts2393-06242393-10782014-10-0113944Deconstructing Female Friends Adela Cornelia IANCU (MATEI)0Dunarea de Jos University of Galati, RomaniaOne of Fay Weldon’s early novels, Female Friends (1975), published at the peak of her feminist ’phase’, deconstructs female and feminine stereotypes in order to present the writer’s own views on feminism. It speaks for a generation of women, who struggle to find their place in a male-dominated world, through three protagonists, who are neither happy, nor perfect. Narrated by the character Chloe, the novel revolves around her and her friends, Grace and Marjorie, with an aim at depicting the falsehood and hypocrisy that surround female friendship. It is precisely where Weldon’s specificity as a feminist writer lies: in her rendering the imperfections of women’s characters and relationships. This paper attempts to trace such elements of ‘fayminism’ in Female Friends by resorting to the tools of the feminist critic. https://b00e8ea91c.clvaw-cdnwnd.com/4fb470e8cbb34a32a0dc1701f8d7322d/200000360-0b5ad0b5af/39-44%20Iancu%20(Matei)%20-%20Deconstructing%20Female%20Friends.pdffemale friendsfay weldonfeminismdeconstruction
spellingShingle Adela Cornelia IANCU (MATEI)
Deconstructing Female Friends
Cultural Intertexts
female friends
fay weldon
feminism
deconstruction
title Deconstructing Female Friends
title_full Deconstructing Female Friends
title_fullStr Deconstructing Female Friends
title_full_unstemmed Deconstructing Female Friends
title_short Deconstructing Female Friends
title_sort deconstructing female friends
topic female friends
fay weldon
feminism
deconstruction
url https://b00e8ea91c.clvaw-cdnwnd.com/4fb470e8cbb34a32a0dc1701f8d7322d/200000360-0b5ad0b5af/39-44%20Iancu%20(Matei)%20-%20Deconstructing%20Female%20Friends.pdf
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