L’erranza in O Thiasos TeatroNatura. Pratiche del camminare

The O Thiasos TeatroNatura was born in 1992 as a theatrical project to investigate the relationshipbetween dramatic art, ecological awareness and environment. Such a perspective asks to reconsider the art of the actor and its presence in a scenic space, dramaturgy, directing, scenography andmusical...

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Main Author: Sista Bramini
Format: Article
Language:English
Published: Università di Parma 2013-03-01
Series:Ricerche di S/Confine
Online Access:http://www.ricerchedisconfine.info/dossier-1/BRAMINI.htm
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author Sista Bramini
author_facet Sista Bramini
author_sort Sista Bramini
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description The O Thiasos TeatroNatura was born in 1992 as a theatrical project to investigate the relationshipbetween dramatic art, ecological awareness and environment. Such a perspective asks to reconsider the art of the actor and its presence in a scenic space, dramaturgy, directing, scenography andmusical composition: to be questioned is the idea itself of ‘theatre’. O Thiasos TeatroNatura wasawarded in 2000 by Europarc as “the best European project of interpreting environment”. This shortessay leads to the core of a research, which is usually unaccessible to the audiences. Sista Bramini,director and founder of O Thiasos, describes such research in words, as far as this is possible, tryingto convey the rigour and methodicalness that it requires, but also the insight that it is able to arouse inperformers and spectators. Walking, as a way of re-descovering an original scenic space, meansuncoiling of time and space, where to unfold human presence, made of body and memory, in front of other creatures, thus starting to live in a new world .
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spelling doaj.art-386b5eefed04472da01b86c98d3731b62023-12-03T13:49:08ZengUniversità di ParmaRicerche di S/Confine2038-84112038-84112013-03-01Dossier 11734L’erranza in O Thiasos TeatroNatura. Pratiche del camminareSista BraminiThe O Thiasos TeatroNatura was born in 1992 as a theatrical project to investigate the relationshipbetween dramatic art, ecological awareness and environment. Such a perspective asks to reconsider the art of the actor and its presence in a scenic space, dramaturgy, directing, scenography andmusical composition: to be questioned is the idea itself of ‘theatre’. O Thiasos TeatroNatura wasawarded in 2000 by Europarc as “the best European project of interpreting environment”. This shortessay leads to the core of a research, which is usually unaccessible to the audiences. Sista Bramini,director and founder of O Thiasos, describes such research in words, as far as this is possible, tryingto convey the rigour and methodicalness that it requires, but also the insight that it is able to arouse inperformers and spectators. Walking, as a way of re-descovering an original scenic space, meansuncoiling of time and space, where to unfold human presence, made of body and memory, in front of other creatures, thus starting to live in a new world .http://www.ricerchedisconfine.info/dossier-1/BRAMINI.htm
spellingShingle Sista Bramini
L’erranza in O Thiasos TeatroNatura. Pratiche del camminare
Ricerche di S/Confine
title L’erranza in O Thiasos TeatroNatura. Pratiche del camminare
title_full L’erranza in O Thiasos TeatroNatura. Pratiche del camminare
title_fullStr L’erranza in O Thiasos TeatroNatura. Pratiche del camminare
title_full_unstemmed L’erranza in O Thiasos TeatroNatura. Pratiche del camminare
title_short L’erranza in O Thiasos TeatroNatura. Pratiche del camminare
title_sort l erranza in o thiasos teatronatura pratiche del camminare
url http://www.ricerchedisconfine.info/dossier-1/BRAMINI.htm
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