De toute la terre le grand effarement de Guy Régis Junior ou quand le théâtre devient l’espace du deuil

This article examines the representation of the theme of the earthquake in the theatrical work of the Haitian playwright Guy Régis Junior entitled De toute la terre le grand effarement (2011). Two prostitutes, the Youngest and the Oldest, after the collapse of the brothel "Bèl Amou" in the...

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Main Author: Axel Artheron
Format: Article
Language:English
Published: Université des Antilles
Series:Études Caribéennes
Subjects:
Online Access:https://journals.openedition.org/etudescaribeennes/23493
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author Axel Artheron
author_facet Axel Artheron
author_sort Axel Artheron
collection DOAJ
description This article examines the representation of the theme of the earthquake in the theatrical work of the Haitian playwright Guy Régis Junior entitled De toute la terre le grand effarement (2011). Two prostitutes, the Youngest and the Oldest, after the collapse of the brothel "Bèl Amou" in the aftermath of Tuesday, January 12, 2010. In fact, if the writer-dramatist does not confront the dramatic text with the density of the event, he questions the time of the aftermath: that of chaos but also of the possibility of resilience and the political urgency of rehabilitation, both material and psychological and political. In this contribution, we propose to examine the nature and functions of this dramatic representation of this immediate history.
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spelling doaj.art-389d838515f14679a9e78e6b7079e9b92024-02-13T13:13:17ZengUniversité des AntillesÉtudes Caribéennes1779-09801961-859X5210.4000/etudescaribeennes.23493De toute la terre le grand effarement de Guy Régis Junior ou quand le théâtre devient l’espace du deuilAxel ArtheronThis article examines the representation of the theme of the earthquake in the theatrical work of the Haitian playwright Guy Régis Junior entitled De toute la terre le grand effarement (2011). Two prostitutes, the Youngest and the Oldest, after the collapse of the brothel "Bèl Amou" in the aftermath of Tuesday, January 12, 2010. In fact, if the writer-dramatist does not confront the dramatic text with the density of the event, he questions the time of the aftermath: that of chaos but also of the possibility of resilience and the political urgency of rehabilitation, both material and psychological and political. In this contribution, we propose to examine the nature and functions of this dramatic representation of this immediate history.https://journals.openedition.org/etudescaribeennes/23493earthquakepoliticHaititheatrefrancophoniecontemporary
spellingShingle Axel Artheron
De toute la terre le grand effarement de Guy Régis Junior ou quand le théâtre devient l’espace du deuil
Études Caribéennes
earthquake
politic
Haiti
theatre
francophonie
contemporary
title De toute la terre le grand effarement de Guy Régis Junior ou quand le théâtre devient l’espace du deuil
title_full De toute la terre le grand effarement de Guy Régis Junior ou quand le théâtre devient l’espace du deuil
title_fullStr De toute la terre le grand effarement de Guy Régis Junior ou quand le théâtre devient l’espace du deuil
title_full_unstemmed De toute la terre le grand effarement de Guy Régis Junior ou quand le théâtre devient l’espace du deuil
title_short De toute la terre le grand effarement de Guy Régis Junior ou quand le théâtre devient l’espace du deuil
title_sort de toute la terre le grand effarement de guy regis junior ou quand le theatre devient l espace du deuil
topic earthquake
politic
Haiti
theatre
francophonie
contemporary
url https://journals.openedition.org/etudescaribeennes/23493
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