O pincel e a pena na construção da nação: pintando e narrando um mito político fundacional
It is our intention to examine the role of the painting and the literature in the construction process of an Uruguayan national identity by the intellectual and political elite throughout the second half of the 19th century and the beginning of the 20th century. This was the consolidation period of...
Main Author: | Susana Bleil de Souza |
---|---|
Format: | Article |
Language: | Spanish |
Published: |
Groupe de Recherche Amérique Latine Histoire et Mémoire
2008-07-01
|
Series: | Les Cahiers ALHIM |
Subjects: | |
Online Access: | https://journals.openedition.org/alhim/2911 |
Similar Items
-
Pintando a poesia: Fernando Guimarães e a confluência entre linguagens
by: Wanderlan da Silva Alves
Published: (2008-01-01) -
Pintando a História da Cardiologia do Brasil
by: Marcelo Antônio Cartaxo Queiroga Lopes, et al.
Published: (2021-01-01) -
Pintando a máquina. La influencia pictórica en la obra literaria de Fernando del Paso
by: Elizabeth Corral Peña
Published: (1998-07-01) -
O mito das Sereias e as derivas do imaginário
by: Florence Dravet, et al.
Published: (2023-03-01) -
O mito da cidade moderna e a arte: Torres-García e Xul Solar
by: Kern, Maria Lúcia Bastos
Published: (2004-01-01)