Forms of rage in Franco's Spain

This video essay explores how the film Black bread (2010) by Agustí Villaronga foregrounds the relationship between vulnerability, fear, and rage in the context of economic, political, and sexual repression. It is a film that depicts a world of inequality and homophobia where children learn that vi...

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Main Author: Lisa DiGiovanni
Format: Article
Language:English
Published: Universidad Complutense de Madrid 2024-01-01
Series:Revista Teknokultura
Subjects:
Online Access:https://revistas.ucm.es/index.php/TEKN/article/view/90203
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author Lisa DiGiovanni
author_facet Lisa DiGiovanni
author_sort Lisa DiGiovanni
collection DOAJ
description This video essay explores how the film Black bread (2010) by Agustí Villaronga foregrounds the relationship between vulnerability, fear, and rage in the context of economic, political, and sexual repression. It is a film that depicts a world of inequality and homophobia where children learn that violence is not an anomaly but a tool. Through the audiovisual format I argue that the film provokes thought on the complexity of rage and how to either challenge or perpetuate heteropatriarchal norms. The film makes visible the process through which the powerful manipulate the rage of the marginalized by shifting blame for their oppression. When shame and fear fuel rage, it loses its productive potential and becomes destructive. In denying his roots out of fear and rage, the protagonist reconstructs himself in the image of those behind his pain. There is no cinematic vision of a remedy to cruelty, or a productive use of rage. The conclusion suggests that representing that destructive process is enough.
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spelling doaj.art-38e69cc2c96f4e0b909c014fa8e142662024-01-31T22:17:45ZengUniversidad Complutense de MadridRevista Teknokultura1549-22302024-01-0121110.5209/tekn.90203Forms of rage in Franco's SpainLisa DiGiovanni0Keene State College This video essay explores how the film Black bread (2010) by Agustí Villaronga foregrounds the relationship between vulnerability, fear, and rage in the context of economic, political, and sexual repression. It is a film that depicts a world of inequality and homophobia where children learn that violence is not an anomaly but a tool. Through the audiovisual format I argue that the film provokes thought on the complexity of rage and how to either challenge or perpetuate heteropatriarchal norms. The film makes visible the process through which the powerful manipulate the rage of the marginalized by shifting blame for their oppression. When shame and fear fuel rage, it loses its productive potential and becomes destructive. In denying his roots out of fear and rage, the protagonist reconstructs himself in the image of those behind his pain. There is no cinematic vision of a remedy to cruelty, or a productive use of rage. The conclusion suggests that representing that destructive process is enough. https://revistas.ucm.es/index.php/TEKN/article/view/90203dictatorshiphomophobiarageSpanish cinema
spellingShingle Lisa DiGiovanni
Forms of rage in Franco's Spain
Revista Teknokultura
dictatorship
homophobia
rage
Spanish cinema
title Forms of rage in Franco's Spain
title_full Forms of rage in Franco's Spain
title_fullStr Forms of rage in Franco's Spain
title_full_unstemmed Forms of rage in Franco's Spain
title_short Forms of rage in Franco's Spain
title_sort forms of rage in franco s spain
topic dictatorship
homophobia
rage
Spanish cinema
url https://revistas.ucm.es/index.php/TEKN/article/view/90203
work_keys_str_mv AT lisadigiovanni formsofrageinfrancosspain