Memories of Extinction and Human Subjectivity

This paper seeks to analyse the role of technology and memory in Kawakami Hiromi’s novel Ōkina torini sarawarenaiyō. Set thousands of years in the future, in a world that has been subjected to several catastrophes, the novel highlights the interconnections between humanity and technology in order...

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Main Author: Baquè, Giulia
Format: Article
Language:English
Published: Fondazione Università Ca’ Foscari 2023-08-01
Series:Annali di Ca’ Foscari: Serie Orientale
Subjects:
Online Access:http://doi.org/10.30687/AnnOr/2385-3042/2023/01/024
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author Baquè, Giulia
author_facet Baquè, Giulia
author_sort Baquè, Giulia
collection DOAJ
description This paper seeks to analyse the role of technology and memory in Kawakami Hiromi’s novel Ōkina torini sarawarenaiyō. Set thousands of years in the future, in a world that has been subjected to several catastrophes, the novel highlights the interconnections between humanity and technology in order to defamiliarize ideas of human centrality and exceptionalism. Kawakami’s characters are forced to face the cyclical possibility of human extinction, which turns into a recurring threat rather than an abstract and discrete event. In this narrative time chronically affected by crises, the definition of what it means to be human is constantly challenged and renegotiated, allowing for the development of non-anthropocentric forms of existence. This paper will demonstrate how, in a world in which the human species is chronically experiencing the threat of extinction, technologies – such as AI entities, clones and factories – allow the renegotiation of ideas of human centrality and singularity, effectively suggesting possibilities for survival outside of a humanist and anthropocentric framework.
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spelling doaj.art-390331e23b144288969c7a7eb031d94a2023-10-30T08:28:31ZengFondazione Università Ca’ FoscariAnnali di Ca’ Foscari: Serie Orientale2385-30422023-08-0159110.30687/AnnOr/2385-3042/2023/01/024journal_article_12433Memories of Extinction and Human SubjectivityBaquè, Giulia0Università Ca’ Foscari Venezia, Italia This paper seeks to analyse the role of technology and memory in Kawakami Hiromi’s novel Ōkina torini sarawarenaiyō. Set thousands of years in the future, in a world that has been subjected to several catastrophes, the novel highlights the interconnections between humanity and technology in order to defamiliarize ideas of human centrality and exceptionalism. Kawakami’s characters are forced to face the cyclical possibility of human extinction, which turns into a recurring threat rather than an abstract and discrete event. In this narrative time chronically affected by crises, the definition of what it means to be human is constantly challenged and renegotiated, allowing for the development of non-anthropocentric forms of existence. This paper will demonstrate how, in a world in which the human species is chronically experiencing the threat of extinction, technologies – such as AI entities, clones and factories – allow the renegotiation of ideas of human centrality and singularity, effectively suggesting possibilities for survival outside of a humanist and anthropocentric framework. http://doi.org/10.30687/AnnOr/2385-3042/2023/01/024Dystopian novel. Kawakami Hiromi. Memories. Posthuman existences. Technology
spellingShingle Baquè, Giulia
Memories of Extinction and Human Subjectivity
Annali di Ca’ Foscari: Serie Orientale
Dystopian novel. Kawakami Hiromi. Memories. Posthuman existences. Technology
title Memories of Extinction and Human Subjectivity
title_full Memories of Extinction and Human Subjectivity
title_fullStr Memories of Extinction and Human Subjectivity
title_full_unstemmed Memories of Extinction and Human Subjectivity
title_short Memories of Extinction and Human Subjectivity
title_sort memories of extinction and human subjectivity
topic Dystopian novel. Kawakami Hiromi. Memories. Posthuman existences. Technology
url http://doi.org/10.30687/AnnOr/2385-3042/2023/01/024
work_keys_str_mv AT baquegiulia memoriesofextinctionandhumansubjectivity