Language, the Uncanny, and the Shapes of History in Claude Simon's The Flanders Road

Asking whether it is possible to read The Flanders Road both as text and as history the essay studies repetitions that structure the novel as they relate to historical events evoked therein, from the Revolution to the Algerian War. The tangled and looped itinerary of a cavalry retreat finds its an...

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Main Author: Lynn A. Higgins
Format: Article
Language:English
Published: New Prairie Press 1985-09-01
Series:Studies in 20th & 21st Century Literature
Online Access:http://newprairiepress.org/sttcl/vol10/iss1/9
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author Lynn A. Higgins
author_facet Lynn A. Higgins
author_sort Lynn A. Higgins
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description Asking whether it is possible to read The Flanders Road both as text and as history the essay studies repetitions that structure the novel as they relate to historical events evoked therein, from the Revolution to the Algerian War. The tangled and looped itinerary of a cavalry retreat finds its analog in the narrative "line"; generic variations emerge when (hi)stories are told again and again; these, and even certain kinds of wordplay make the novel, and ultimately history, seem uncanny. But it is the novel's self-conscious strangeness, as it enfolds historical knowledge, that constitutes a commentary on how history is told and even how it is experienced.
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spelling doaj.art-392adcac88984726b8af2f4e365f32682022-12-22T03:09:01ZengNew Prairie PressStudies in 20th & 21st Century Literature2334-44151985-09-0110110.4148/2334-4415.11775601628Language, the Uncanny, and the Shapes of History in Claude Simon's The Flanders RoadLynn A. HigginsAsking whether it is possible to read The Flanders Road both as text and as history the essay studies repetitions that structure the novel as they relate to historical events evoked therein, from the Revolution to the Algerian War. The tangled and looped itinerary of a cavalry retreat finds its analog in the narrative "line"; generic variations emerge when (hi)stories are told again and again; these, and even certain kinds of wordplay make the novel, and ultimately history, seem uncanny. But it is the novel's self-conscious strangeness, as it enfolds historical knowledge, that constitutes a commentary on how history is told and even how it is experienced.http://newprairiepress.org/sttcl/vol10/iss1/9
spellingShingle Lynn A. Higgins
Language, the Uncanny, and the Shapes of History in Claude Simon's The Flanders Road
Studies in 20th & 21st Century Literature
title Language, the Uncanny, and the Shapes of History in Claude Simon's The Flanders Road
title_full Language, the Uncanny, and the Shapes of History in Claude Simon's The Flanders Road
title_fullStr Language, the Uncanny, and the Shapes of History in Claude Simon's The Flanders Road
title_full_unstemmed Language, the Uncanny, and the Shapes of History in Claude Simon's The Flanders Road
title_short Language, the Uncanny, and the Shapes of History in Claude Simon's The Flanders Road
title_sort language the uncanny and the shapes of history in claude simon s the flanders road
url http://newprairiepress.org/sttcl/vol10/iss1/9
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