La recepción del Greco desde las artes contemporáneas (siglos XX y XXI)
This article analyses various aspects of Greco’s painting, with the aim of demonstrating some aspects of the modernity of the work of the Toledo Master. It is first of all an intrinsic approach that is adopted, with the highlighting of various plastic characteristics that tend towards a form of atem...
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Format: | Article |
Language: | Spanish |
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Civilisations et Littératures d’Espagne et d’Amérique du Moyen Âge aux Lumières (CLEA) - Paris Sorbonne
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Series: | E-Spania |
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Online Access: | https://journals.openedition.org/e-spania/41665 |
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author | Emmanuel Marigno |
author_facet | Emmanuel Marigno |
author_sort | Emmanuel Marigno |
collection | DOAJ |
description | This article analyses various aspects of Greco’s painting, with the aim of demonstrating some aspects of the modernity of the work of the Toledo Master. It is first of all an intrinsic approach that is adopted, with the highlighting of various plastic characteristics that tend towards a form of atemporality in Greco’s painting. In a second phase, and through an extrinsic reading, it is necessary to appreciate the various modalities of this permanence of Greco’s painting in contemporary creation (installation, painting, video, etc. of the twentieth and twenty-first centuries). |
first_indexed | 2024-03-08T02:42:16Z |
format | Article |
id | doaj.art-398dd243ef6b46918cba213b44eb0997 |
institution | Directory Open Access Journal |
issn | 1951-6169 |
language | Spanish |
last_indexed | 2024-03-08T02:42:16Z |
publisher | Civilisations et Littératures d’Espagne et d’Amérique du Moyen Âge aux Lumières (CLEA) - Paris Sorbonne |
record_format | Article |
series | E-Spania |
spelling | doaj.art-398dd243ef6b46918cba213b44eb09972024-02-13T13:41:17ZspaCivilisations et Littératures d’Espagne et d’Amérique du Moyen Âge aux Lumières (CLEA) - Paris SorbonneE-Spania1951-61694010.4000/e-spania.41665La recepción del Greco desde las artes contemporáneas (siglos XX y XXI)Emmanuel MarignoThis article analyses various aspects of Greco’s painting, with the aim of demonstrating some aspects of the modernity of the work of the Toledo Master. It is first of all an intrinsic approach that is adopted, with the highlighting of various plastic characteristics that tend towards a form of atemporality in Greco’s painting. In a second phase, and through an extrinsic reading, it is necessary to appreciate the various modalities of this permanence of Greco’s painting in contemporary creation (installation, painting, video, etc. of the twentieth and twenty-first centuries).https://journals.openedition.org/e-spania/41665Grecocontemporary arts |
spellingShingle | Emmanuel Marigno La recepción del Greco desde las artes contemporáneas (siglos XX y XXI) E-Spania Greco contemporary arts |
title | La recepción del Greco desde las artes contemporáneas (siglos XX y XXI) |
title_full | La recepción del Greco desde las artes contemporáneas (siglos XX y XXI) |
title_fullStr | La recepción del Greco desde las artes contemporáneas (siglos XX y XXI) |
title_full_unstemmed | La recepción del Greco desde las artes contemporáneas (siglos XX y XXI) |
title_short | La recepción del Greco desde las artes contemporáneas (siglos XX y XXI) |
title_sort | la recepcion del greco desde las artes contemporaneas siglos xx y xxi |
topic | Greco contemporary arts |
url | https://journals.openedition.org/e-spania/41665 |
work_keys_str_mv | AT emmanuelmarigno larecepciondelgrecodesdelasartescontemporaneassiglosxxyxxi |