La recepción del Greco desde las artes contemporáneas (siglos XX y XXI)

This article analyses various aspects of Greco’s painting, with the aim of demonstrating some aspects of the modernity of the work of the Toledo Master. It is first of all an intrinsic approach that is adopted, with the highlighting of various plastic characteristics that tend towards a form of atem...

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Main Author: Emmanuel Marigno
Format: Article
Language:Spanish
Published: Civilisations et Littératures d’Espagne et d’Amérique du Moyen Âge aux Lumières (CLEA) - Paris Sorbonne
Series:E-Spania
Subjects:
Online Access:https://journals.openedition.org/e-spania/41665
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author Emmanuel Marigno
author_facet Emmanuel Marigno
author_sort Emmanuel Marigno
collection DOAJ
description This article analyses various aspects of Greco’s painting, with the aim of demonstrating some aspects of the modernity of the work of the Toledo Master. It is first of all an intrinsic approach that is adopted, with the highlighting of various plastic characteristics that tend towards a form of atemporality in Greco’s painting. In a second phase, and through an extrinsic reading, it is necessary to appreciate the various modalities of this permanence of Greco’s painting in contemporary creation (installation, painting, video, etc. of the twentieth and twenty-first centuries).
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issn 1951-6169
language Spanish
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publisher Civilisations et Littératures d’Espagne et d’Amérique du Moyen Âge aux Lumières (CLEA) - Paris Sorbonne
record_format Article
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spelling doaj.art-398dd243ef6b46918cba213b44eb09972024-02-13T13:41:17ZspaCivilisations et Littératures d’Espagne et d’Amérique du Moyen Âge aux Lumières (CLEA) - Paris SorbonneE-Spania1951-61694010.4000/e-spania.41665La recepción del Greco desde las artes contemporáneas (siglos XX y XXI)Emmanuel MarignoThis article analyses various aspects of Greco’s painting, with the aim of demonstrating some aspects of the modernity of the work of the Toledo Master. It is first of all an intrinsic approach that is adopted, with the highlighting of various plastic characteristics that tend towards a form of atemporality in Greco’s painting. In a second phase, and through an extrinsic reading, it is necessary to appreciate the various modalities of this permanence of Greco’s painting in contemporary creation (installation, painting, video, etc. of the twentieth and twenty-first centuries).https://journals.openedition.org/e-spania/41665Grecocontemporary arts
spellingShingle Emmanuel Marigno
La recepción del Greco desde las artes contemporáneas (siglos XX y XXI)
E-Spania
Greco
contemporary arts
title La recepción del Greco desde las artes contemporáneas (siglos XX y XXI)
title_full La recepción del Greco desde las artes contemporáneas (siglos XX y XXI)
title_fullStr La recepción del Greco desde las artes contemporáneas (siglos XX y XXI)
title_full_unstemmed La recepción del Greco desde las artes contemporáneas (siglos XX y XXI)
title_short La recepción del Greco desde las artes contemporáneas (siglos XX y XXI)
title_sort la recepcion del greco desde las artes contemporaneas siglos xx y xxi
topic Greco
contemporary arts
url https://journals.openedition.org/e-spania/41665
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