THE COMPASS OF A GOOD PLACE: WICHT IS THIS PLACE?
The following article aims to promote an analysis of some manifestations of the postcolonial subject voice, based on extracts from songs that make up the record “Sobre crianças, quadris, pesadelos e lições de casa (2015), from Brazilian rapper Emicida, grounded mostly in the freshness and present-da...
Main Authors: | , |
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Format: | Article |
Language: | Portuguese |
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Universidade Estadual do Oeste do Paraná
2016-11-01
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Series: | Travessias |
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Online Access: | http://e-revista.unioeste.br/index.php/travessias/article/view/15018 |
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author | Ludmilla Kujat Witzel Ximena Antonia Díaz Merino |
author_facet | Ludmilla Kujat Witzel Ximena Antonia Díaz Merino |
author_sort | Ludmilla Kujat Witzel |
collection | DOAJ |
description | The following article aims to promote an analysis of some manifestations of the postcolonial subject voice, based on extracts from songs that make up the record “Sobre crianças, quadris, pesadelos e lições de casa (2015), from Brazilian rapper Emicida, grounded mostly in the freshness and present-day sense of his lyrics, which debates contemporary issues for the post-colonial subject. For this, Emicida’s discourse is affiliate with theory prospects from Homi Babha (1998-2005), Silviano Santiago (1978), Thomaz Bonnici (1998) and Zilá Bernd (1998). Most of all, the intention is to highlight the rapper discourse and others discourses that emerge from it, discourses understood as representations of the postcolonial subject, materialized in rap form (rhythm and poetry). |
first_indexed | 2024-12-21T04:55:00Z |
format | Article |
id | doaj.art-39940eef69a246c1a4f303619f5d2fc5 |
institution | Directory Open Access Journal |
issn | 1982-5935 |
language | Portuguese |
last_indexed | 2024-12-21T04:55:00Z |
publishDate | 2016-11-01 |
publisher | Universidade Estadual do Oeste do Paraná |
record_format | Article |
series | Travessias |
spelling | doaj.art-39940eef69a246c1a4f303619f5d2fc52022-12-21T19:15:23ZporUniversidade Estadual do Oeste do ParanáTravessias1982-59352016-11-011031942139711THE COMPASS OF A GOOD PLACE: WICHT IS THIS PLACE?Ludmilla Kujat WitzelXimena Antonia Díaz MerinoThe following article aims to promote an analysis of some manifestations of the postcolonial subject voice, based on extracts from songs that make up the record “Sobre crianças, quadris, pesadelos e lições de casa (2015), from Brazilian rapper Emicida, grounded mostly in the freshness and present-day sense of his lyrics, which debates contemporary issues for the post-colonial subject. For this, Emicida’s discourse is affiliate with theory prospects from Homi Babha (1998-2005), Silviano Santiago (1978), Thomaz Bonnici (1998) and Zilá Bernd (1998). Most of all, the intention is to highlight the rapper discourse and others discourses that emerge from it, discourses understood as representations of the postcolonial subject, materialized in rap form (rhythm and poetry).http://e-revista.unioeste.br/index.php/travessias/article/view/15018postcolonial subjectrapin-between place. |
spellingShingle | Ludmilla Kujat Witzel Ximena Antonia Díaz Merino THE COMPASS OF A GOOD PLACE: WICHT IS THIS PLACE? Travessias postcolonial subject rap in-between place. |
title | THE COMPASS OF A GOOD PLACE: WICHT IS THIS PLACE? |
title_full | THE COMPASS OF A GOOD PLACE: WICHT IS THIS PLACE? |
title_fullStr | THE COMPASS OF A GOOD PLACE: WICHT IS THIS PLACE? |
title_full_unstemmed | THE COMPASS OF A GOOD PLACE: WICHT IS THIS PLACE? |
title_short | THE COMPASS OF A GOOD PLACE: WICHT IS THIS PLACE? |
title_sort | compass of a good place wicht is this place |
topic | postcolonial subject rap in-between place. |
url | http://e-revista.unioeste.br/index.php/travessias/article/view/15018 |
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