THE COMPASS OF A GOOD PLACE: WICHT IS THIS PLACE?

The following article aims to promote an analysis of some manifestations of the postcolonial subject voice, based on extracts from songs that make up the record “Sobre crianças, quadris, pesadelos e lições de casa (2015), from Brazilian rapper Emicida, grounded mostly in the freshness and present-da...

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Main Authors: Ludmilla Kujat Witzel, Ximena Antonia Díaz Merino
Format: Article
Language:Portuguese
Published: Universidade Estadual do Oeste do Paraná 2016-11-01
Series:Travessias
Subjects:
Online Access:http://e-revista.unioeste.br/index.php/travessias/article/view/15018
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author Ludmilla Kujat Witzel
Ximena Antonia Díaz Merino
author_facet Ludmilla Kujat Witzel
Ximena Antonia Díaz Merino
author_sort Ludmilla Kujat Witzel
collection DOAJ
description The following article aims to promote an analysis of some manifestations of the postcolonial subject voice, based on extracts from songs that make up the record “Sobre crianças, quadris, pesadelos e lições de casa (2015), from Brazilian rapper Emicida, grounded mostly in the freshness and present-day sense of his lyrics, which debates contemporary issues for the post-colonial subject. For this, Emicida’s discourse is affiliate with theory prospects from Homi Babha (1998-2005), Silviano Santiago (1978), Thomaz Bonnici (1998) and Zilá Bernd (1998). Most of all, the intention is to highlight the rapper discourse and others discourses that emerge from it, discourses understood as representations of the postcolonial subject, materialized in rap form (rhythm and poetry).
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spelling doaj.art-39940eef69a246c1a4f303619f5d2fc52022-12-21T19:15:23ZporUniversidade Estadual do Oeste do ParanáTravessias1982-59352016-11-011031942139711THE COMPASS OF A GOOD PLACE: WICHT IS THIS PLACE?Ludmilla Kujat WitzelXimena Antonia Díaz MerinoThe following article aims to promote an analysis of some manifestations of the postcolonial subject voice, based on extracts from songs that make up the record “Sobre crianças, quadris, pesadelos e lições de casa (2015), from Brazilian rapper Emicida, grounded mostly in the freshness and present-day sense of his lyrics, which debates contemporary issues for the post-colonial subject. For this, Emicida’s discourse is affiliate with theory prospects from Homi Babha (1998-2005), Silviano Santiago (1978), Thomaz Bonnici (1998) and Zilá Bernd (1998). Most of all, the intention is to highlight the rapper discourse and others discourses that emerge from it, discourses understood as representations of the postcolonial subject, materialized in rap form (rhythm and poetry).http://e-revista.unioeste.br/index.php/travessias/article/view/15018postcolonial subjectrapin-between place.
spellingShingle Ludmilla Kujat Witzel
Ximena Antonia Díaz Merino
THE COMPASS OF A GOOD PLACE: WICHT IS THIS PLACE?
Travessias
postcolonial subject
rap
in-between place.
title THE COMPASS OF A GOOD PLACE: WICHT IS THIS PLACE?
title_full THE COMPASS OF A GOOD PLACE: WICHT IS THIS PLACE?
title_fullStr THE COMPASS OF A GOOD PLACE: WICHT IS THIS PLACE?
title_full_unstemmed THE COMPASS OF A GOOD PLACE: WICHT IS THIS PLACE?
title_short THE COMPASS OF A GOOD PLACE: WICHT IS THIS PLACE?
title_sort compass of a good place wicht is this place
topic postcolonial subject
rap
in-between place.
url http://e-revista.unioeste.br/index.php/travessias/article/view/15018
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