El "Decamerón" tras el "Curial e Güelfa"

After some brief theoretical notes on the introduction by the prehumists, on the new techniques of the sources, the presence ofDecameron is followed by the text of the Catalan novel Curial e Güelfa. In book II you can see this in two passages relating to the idea of honour, whilst two Decameronic t...

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Main Author: Julia Boutiña Jiménez
Format: Article
Language:English
Published: Universidad de León 1997-12-01
Series:Estudios Humanísticos. Filología
Online Access:https://revpubli.unileon.es/ojs/index.php/EEHHFilologia/article/view/4054
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author Julia Boutiña Jiménez
author_facet Julia Boutiña Jiménez
author_sort Julia Boutiña Jiménez
collection DOAJ
description After some brief theoretical notes on the introduction by the prehumists, on the new techniques of the sources, the presence ofDecameron is followed by the text of the Catalan novel Curial e Güelfa. In book II you can see this in two passages relating to the idea of honour, whilst two Decameronic tales about King Peter the Great practically form book III. The autor, in the same style as Petrarch (and Bernat Metge) by means of the Boccaccio texts gives a turn to Bocccaccio's love moral. The last tale (viiX), based on recognition, seems to reveal that it is a novel written in code, with the intention of moving certain readers towards the behaviour which the main characters illustrate. This serves as heroic example in the lovetheme, agreeing with the ethic which marks an initial Petrarchist reference and which is supported by the classics.
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spelling doaj.art-39a71007b2e342b4aaa52e5552af8fdd2023-10-31T15:39:52ZengUniversidad de LeónEstudios Humanísticos. Filología0213-13822444-023X1997-12-011910.18002/ehf.v0i19.40543607El "Decamerón" tras el "Curial e Güelfa"Julia Boutiña Jiménez0Universidad de León After some brief theoretical notes on the introduction by the prehumists, on the new techniques of the sources, the presence ofDecameron is followed by the text of the Catalan novel Curial e Güelfa. In book II you can see this in two passages relating to the idea of honour, whilst two Decameronic tales about King Peter the Great practically form book III. The autor, in the same style as Petrarch (and Bernat Metge) by means of the Boccaccio texts gives a turn to Bocccaccio's love moral. The last tale (viiX), based on recognition, seems to reveal that it is a novel written in code, with the intention of moving certain readers towards the behaviour which the main characters illustrate. This serves as heroic example in the lovetheme, agreeing with the ethic which marks an initial Petrarchist reference and which is supported by the classics. https://revpubli.unileon.es/ojs/index.php/EEHHFilologia/article/view/4054
spellingShingle Julia Boutiña Jiménez
El "Decamerón" tras el "Curial e Güelfa"
Estudios Humanísticos. Filología
title El "Decamerón" tras el "Curial e Güelfa"
title_full El "Decamerón" tras el "Curial e Güelfa"
title_fullStr El "Decamerón" tras el "Curial e Güelfa"
title_full_unstemmed El "Decamerón" tras el "Curial e Güelfa"
title_short El "Decamerón" tras el "Curial e Güelfa"
title_sort el decameron tras el curial e guelfa
url https://revpubli.unileon.es/ojs/index.php/EEHHFilologia/article/view/4054
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