Roguish Self-Fashioning and Questing in Aleksandar Hemon’s “Everything”

This paper examines self-fashioning in Aleksandar Hemon’s “Everything,” a story about a Sarajevo teenager’s journey through ex-Yugoslavia to the Slovenian town of Murska Sobota. His aim? “[T]o buy a freezer chest for my family” (39). While in transit, the first-person narrator imagines himself a rog...

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Bibliographic Details
Main Author: Jason Blake
Format: Article
Language:English
Published: Lodz University Press 2019-11-01
Series:Text Matters
Subjects:
Online Access:https://czasopisma.uni.lodz.pl/textmatters/article/view/5883
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author Jason Blake
author_facet Jason Blake
author_sort Jason Blake
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description This paper examines self-fashioning in Aleksandar Hemon’s “Everything,” a story about a Sarajevo teenager’s journey through ex-Yugoslavia to the Slovenian town of Murska Sobota. His aim? “[T]o buy a freezer chest for my family” (39). While in transit, the first-person narrator imagines himself a rogue of sorts; the fictional journey he takes, meanwhile, is clearly within the quest tradition. The paper argues that “Everything” is an unruly text because by the end of the story the reader must jettison the conventional reading traditions the quest narrative evokes. What begins as a comic tale about a minor journey opens out, in the story’s final lines, into a story about larger historical concerns, namely, the Yugoslav wars of the 1990s. By introducing contemporary history, Hemon points beyond the closed world of his short story, while rejecting the quest pattern he has established.
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spelling doaj.art-39c15f02f18b4b12b39edba2a943af9e2022-12-21T18:47:05ZengLodz University PressText Matters2083-29312084-574X2019-11-01910011710.18778/2083-2931.09.065883Roguish Self-Fashioning and Questing in Aleksandar Hemon’s “Everything”Jason Blake0University of LjubljanaThis paper examines self-fashioning in Aleksandar Hemon’s “Everything,” a story about a Sarajevo teenager’s journey through ex-Yugoslavia to the Slovenian town of Murska Sobota. His aim? “[T]o buy a freezer chest for my family” (39). While in transit, the first-person narrator imagines himself a rogue of sorts; the fictional journey he takes, meanwhile, is clearly within the quest tradition. The paper argues that “Everything” is an unruly text because by the end of the story the reader must jettison the conventional reading traditions the quest narrative evokes. What begins as a comic tale about a minor journey opens out, in the story’s final lines, into a story about larger historical concerns, namely, the Yugoslav wars of the 1990s. By introducing contemporary history, Hemon points beyond the closed world of his short story, while rejecting the quest pattern he has established.https://czasopisma.uni.lodz.pl/textmatters/article/view/5883aleksandar hemonex-yugoslaviaquestrogueself-fashioning
spellingShingle Jason Blake
Roguish Self-Fashioning and Questing in Aleksandar Hemon’s “Everything”
Text Matters
aleksandar hemon
ex-yugoslavia
quest
rogue
self-fashioning
title Roguish Self-Fashioning and Questing in Aleksandar Hemon’s “Everything”
title_full Roguish Self-Fashioning and Questing in Aleksandar Hemon’s “Everything”
title_fullStr Roguish Self-Fashioning and Questing in Aleksandar Hemon’s “Everything”
title_full_unstemmed Roguish Self-Fashioning and Questing in Aleksandar Hemon’s “Everything”
title_short Roguish Self-Fashioning and Questing in Aleksandar Hemon’s “Everything”
title_sort roguish self fashioning and questing in aleksandar hemon s everything
topic aleksandar hemon
ex-yugoslavia
quest
rogue
self-fashioning
url https://czasopisma.uni.lodz.pl/textmatters/article/view/5883
work_keys_str_mv AT jasonblake roguishselffashioningandquestinginaleksandarhemonseverything