The Formation of the Genre System on Norwegian Broadcast Radio

This article deals with the formation and first development of the radio genre system in Norway in the interwar years (1925-1940). It is shown that the programmes of the 1920s were mostly imperfect reproductions of existent cultural forms. Yet, a beginning modernization of the genre repertoire took...

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Main Author: Vagle Wenche
Format: Article
Language:English
Published: Sciendo 2012-12-01
Series:Nordicom Review
Subjects:
Online Access:https://doi.org/10.2478/nor-2013-0018
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author Vagle Wenche
author_facet Vagle Wenche
author_sort Vagle Wenche
collection DOAJ
description This article deals with the formation and first development of the radio genre system in Norway in the interwar years (1925-1940). It is shown that the programmes of the 1920s were mostly imperfect reproductions of existent cultural forms. Yet, a beginning modernization of the genre repertoire took place in the 1930s. Whereas the rudimentary genre repertoire of the 1920s was built up through a plain copying from other domains in society, the latter half of the 1930s saw the introduction of a more advanced genre-generating process whereby new genres were formed through a mixing of two or more existing norms. This article also identifies a number of developmental trends that had their slow start in the 1920s and would mark the evolution of Norwegian radio’s registers and genres ever since.
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spelling doaj.art-39f9ed74a98b49a68862af81be255dfa2023-09-02T21:28:55ZengSciendoNordicom Review2001-51192012-12-0133211913710.2478/nor-2013-0018The Formation of the Genre System on Norwegian Broadcast RadioVagle WencheThis article deals with the formation and first development of the radio genre system in Norway in the interwar years (1925-1940). It is shown that the programmes of the 1920s were mostly imperfect reproductions of existent cultural forms. Yet, a beginning modernization of the genre repertoire took place in the 1930s. Whereas the rudimentary genre repertoire of the 1920s was built up through a plain copying from other domains in society, the latter half of the 1930s saw the introduction of a more advanced genre-generating process whereby new genres were formed through a mixing of two or more existing norms. This article also identifies a number of developmental trends that had their slow start in the 1920s and would mark the evolution of Norwegian radio’s registers and genres ever since.https://doi.org/10.2478/nor-2013-0018early broadcasting historyradio programming in the interwar yearsnorwegian radio genres and registersdevelopmental trends in radio’s meaning patternstext and genre history
spellingShingle Vagle Wenche
The Formation of the Genre System on Norwegian Broadcast Radio
Nordicom Review
early broadcasting history
radio programming in the interwar years
norwegian radio genres and registers
developmental trends in radio’s meaning patterns
text and genre history
title The Formation of the Genre System on Norwegian Broadcast Radio
title_full The Formation of the Genre System on Norwegian Broadcast Radio
title_fullStr The Formation of the Genre System on Norwegian Broadcast Radio
title_full_unstemmed The Formation of the Genre System on Norwegian Broadcast Radio
title_short The Formation of the Genre System on Norwegian Broadcast Radio
title_sort formation of the genre system on norwegian broadcast radio
topic early broadcasting history
radio programming in the interwar years
norwegian radio genres and registers
developmental trends in radio’s meaning patterns
text and genre history
url https://doi.org/10.2478/nor-2013-0018
work_keys_str_mv AT vaglewenche theformationofthegenresystemonnorwegianbroadcastradio
AT vaglewenche formationofthegenresystemonnorwegianbroadcastradio