Écrire le corps dansant au xviie siècle : Ismâ‘îl Rusûkhî Anqaravî

Ismâ‘îl Rusûkhî Anqaravî (m. 1041/1631), one of the most famous commentators of Djelâled-dîn Rûmî’s Mathnawî is both a defender and a profound interpreter of the practice of mystic dance (samâ‘). At a time in which controversy surrounding religious innovations (bid‘a) touched the visiting of holy to...

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Main Author: Fabio Ambrosio
Format: Article
Language:English
Published: Université de Provence 2006-11-01
Series:Revue des Mondes Musulmans et de la Méditerranée
Online Access:https://journals.openedition.org/remmm/2978
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author Fabio Ambrosio
author_facet Fabio Ambrosio
author_sort Fabio Ambrosio
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description Ismâ‘îl Rusûkhî Anqaravî (m. 1041/1631), one of the most famous commentators of Djelâled-dîn Rûmî’s Mathnawî is both a defender and a profound interpreter of the practice of mystic dance (samâ‘). At a time in which controversy surrounding religious innovations (bid‘a) touched the visiting of holy tombs as well as the samâ‘, Anqaravî, ‚eyh of the Galata Lodge in Istanbul, undertakes the defense of the principal practice of the Whirling Dervishes (mawlawiyya, mevleviyye). An analysis of part of one of his works, the Minhâj’ul-fuqarâ, written in the Ottoman idiom and held as the manual of the Whirling Dervishes, leads to an in-depth study of the dancing body as the frontier between the sacred and the profane. The distinctions the author makes about the samâ‘ and the interpretation that he gives on it, particularly in two chapters of this work, furnish elements allowing a better understanding of a practice which puts the dervish’s body on stage. This theological study of Anqaravî represents an essay in writing the body in dance as a part of a cosmic motion that seeks to attain a uniting encounter with God.
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spelling doaj.art-39fa4b96cffd468a8f634db4d375f6b72024-02-13T15:19:36ZengUniversité de ProvenceRevue des Mondes Musulmans et de la Méditerranée0997-13272105-22712006-11-0111319520910.4000/remmm.2978Écrire le corps dansant au xviie siècle : Ismâ‘îl Rusûkhî AnqaravîFabio AmbrosioIsmâ‘îl Rusûkhî Anqaravî (m. 1041/1631), one of the most famous commentators of Djelâled-dîn Rûmî’s Mathnawî is both a defender and a profound interpreter of the practice of mystic dance (samâ‘). At a time in which controversy surrounding religious innovations (bid‘a) touched the visiting of holy tombs as well as the samâ‘, Anqaravî, ‚eyh of the Galata Lodge in Istanbul, undertakes the defense of the principal practice of the Whirling Dervishes (mawlawiyya, mevleviyye). An analysis of part of one of his works, the Minhâj’ul-fuqarâ, written in the Ottoman idiom and held as the manual of the Whirling Dervishes, leads to an in-depth study of the dancing body as the frontier between the sacred and the profane. The distinctions the author makes about the samâ‘ and the interpretation that he gives on it, particularly in two chapters of this work, furnish elements allowing a better understanding of a practice which puts the dervish’s body on stage. This theological study of Anqaravî represents an essay in writing the body in dance as a part of a cosmic motion that seeks to attain a uniting encounter with God.https://journals.openedition.org/remmm/2978
spellingShingle Fabio Ambrosio
Écrire le corps dansant au xviie siècle : Ismâ‘îl Rusûkhî Anqaravî
Revue des Mondes Musulmans et de la Méditerranée
title Écrire le corps dansant au xviie siècle : Ismâ‘îl Rusûkhî Anqaravî
title_full Écrire le corps dansant au xviie siècle : Ismâ‘îl Rusûkhî Anqaravî
title_fullStr Écrire le corps dansant au xviie siècle : Ismâ‘îl Rusûkhî Anqaravî
title_full_unstemmed Écrire le corps dansant au xviie siècle : Ismâ‘îl Rusûkhî Anqaravî
title_short Écrire le corps dansant au xviie siècle : Ismâ‘îl Rusûkhî Anqaravî
title_sort ecrire le corps dansant au xviie siecle isma il rusukhi anqaravi
url https://journals.openedition.org/remmm/2978
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