Bardzo długi marsz: 
Niepokonani Petera Weira 
wobec prozy Sławomira Rawicza

The Polish reaction to Peter Weir’s film The Way Back (2010) was centred on a discussion about the credibility of its literary prototype, Sławomir Rawicz’s book The long walk (1955). The author of the article does not discuss this controversy; she prefers to concentrate on the adaptation that was ch...

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Main Author: Magdalena Kempna-Pieniążek
Format: Article
Language:English
Published: University of Silesia Press 2020-11-01
Series:Postscriptum Polonistyczne
Subjects:
Online Access:https://www.journals.us.edu.pl/index.php/PPol/article/view/10187
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author Magdalena Kempna-Pieniążek
author_facet Magdalena Kempna-Pieniążek
author_sort Magdalena Kempna-Pieniążek
collection DOAJ
description The Polish reaction to Peter Weir’s film The Way Back (2010) was centred on a discussion about the credibility of its literary prototype, Sławomir Rawicz’s book The long walk (1955). The author of the article does not discuss this controversy; she prefers to concentrate on the adaptation that was chosen by the director, who combines different interpretations of the phenomenon of freedom in his movie. Weir’s approach can be regarded as transnational and such a perspective is suggested as a context for the interpretation of The Way Back.
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spelling doaj.art-3a14e0c55fe14e9b86139762ad8f3fe42022-12-21T20:07:08ZengUniversity of Silesia PressPostscriptum Polonistyczne1898-15932353-98442020-11-01171Bardzo długi marsz: 
Niepokonani Petera Weira 
wobec prozy Sławomira RawiczaMagdalena Kempna-Pieniążek0dr, Instytut Nauk o Kulturze i Studiów Interdyscyplinarnych, Uniwersytet Śląski w Katowicach, Polska.The Polish reaction to Peter Weir’s film The Way Back (2010) was centred on a discussion about the credibility of its literary prototype, Sławomir Rawicz’s book The long walk (1955). The author of the article does not discuss this controversy; she prefers to concentrate on the adaptation that was chosen by the director, who combines different interpretations of the phenomenon of freedom in his movie. Weir’s approach can be regarded as transnational and such a perspective is suggested as a context for the interpretation of The Way Back.https://www.journals.us.edu.pl/index.php/PPol/article/view/10187Peter Weirtransnational cinema
spellingShingle Magdalena Kempna-Pieniążek
Bardzo długi marsz: 
Niepokonani Petera Weira 
wobec prozy Sławomira Rawicza
Postscriptum Polonistyczne
Peter Weir
transnational cinema
title Bardzo długi marsz: 
Niepokonani Petera Weira 
wobec prozy Sławomira Rawicza
title_full Bardzo długi marsz: 
Niepokonani Petera Weira 
wobec prozy Sławomira Rawicza
title_fullStr Bardzo długi marsz: 
Niepokonani Petera Weira 
wobec prozy Sławomira Rawicza
title_full_unstemmed Bardzo długi marsz: 
Niepokonani Petera Weira 
wobec prozy Sławomira Rawicza
title_short Bardzo długi marsz: 
Niepokonani Petera Weira 
wobec prozy Sławomira Rawicza
title_sort bardzo dlugi marsz 
niepokonani petera weira 
wobec prozy slawomira rawicza
topic Peter Weir
transnational cinema
url https://www.journals.us.edu.pl/index.php/PPol/article/view/10187
work_keys_str_mv AT magdalenakempnapieniazek bardzodługimarszniepokonanipeteraweirawobecprozysławomirarawicza