Idiosyncratic Audio Feedback Networks for Music Creation

This article presents practical and artistic contributions to the field of computer music systems based on audio feedback networks. The ideas that oriented the conception of two digital music instruments and examples of their use in the author's music practice are discussed. The article begins...

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Main Author: Adriano Claro Monteiro
Format: Article
Language:English
Published: Universidade Estadual do Paraná 2022-04-01
Series:Revista Vortex
Subjects:
Online Access:https://periodicos.unespar.edu.br/index.php/vortex/article/view/4690
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author Adriano Claro Monteiro
author_facet Adriano Claro Monteiro
author_sort Adriano Claro Monteiro
collection DOAJ
description This article presents practical and artistic contributions to the field of computer music systems based on audio feedback networks. The ideas that oriented the conception of two digital music instruments and examples of their use in the author's music practice are discussed. The article begins with a general conceptualization of feedback systems as well as a brief historical review of its use in experimental music. Later, a more specific contextualization of its application in recent computer music research and artwork is made, and two contributions are presented: the first is a network of cross-modulated sinusoidal oscillators (by frequency modulation), and the second is a network of algorithms for playing and transforming pre-recorded sound samples. In conclusion, examples of the artistic usage of the described systems to the creation of electroacoustic music are discussed.
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spelling doaj.art-3a7b14b54c3c46b89181585ce3a855352023-05-17T20:57:06ZengUniversidade Estadual do ParanáRevista Vortex2317-99372022-04-0110110.33871/23179937.2022.10.1.13755Idiosyncratic Audio Feedback Networks for Music CreationAdriano Claro Monteiro0Universidade Federal de GoiásThis article presents practical and artistic contributions to the field of computer music systems based on audio feedback networks. The ideas that oriented the conception of two digital music instruments and examples of their use in the author's music practice are discussed. The article begins with a general conceptualization of feedback systems as well as a brief historical review of its use in experimental music. Later, a more specific contextualization of its application in recent computer music research and artwork is made, and two contributions are presented: the first is a network of cross-modulated sinusoidal oscillators (by frequency modulation), and the second is a network of algorithms for playing and transforming pre-recorded sound samples. In conclusion, examples of the artistic usage of the described systems to the creation of electroacoustic music are discussed.https://periodicos.unespar.edu.br/index.php/vortex/article/view/4690audio feedback systemsgenerative musicelectroacoustic compositionelectronic musicdigital music instruments
spellingShingle Adriano Claro Monteiro
Idiosyncratic Audio Feedback Networks for Music Creation
Revista Vortex
audio feedback systems
generative music
electroacoustic composition
electronic music
digital music instruments
title Idiosyncratic Audio Feedback Networks for Music Creation
title_full Idiosyncratic Audio Feedback Networks for Music Creation
title_fullStr Idiosyncratic Audio Feedback Networks for Music Creation
title_full_unstemmed Idiosyncratic Audio Feedback Networks for Music Creation
title_short Idiosyncratic Audio Feedback Networks for Music Creation
title_sort idiosyncratic audio feedback networks for music creation
topic audio feedback systems
generative music
electroacoustic composition
electronic music
digital music instruments
url https://periodicos.unespar.edu.br/index.php/vortex/article/view/4690
work_keys_str_mv AT adrianoclaromonteiro idiosyncraticaudiofeedbacknetworksformusiccreation