Between and Betwixt the Other Theatre and the Theatre of the Other:

This article deals with the legendary figure of Eugenio Barba as a paradigmatic case to demonstrate the difference between the other theatre and the theatre of the other. Its main objective is to discuss the juxtaposition of performativity as (re)presenting, showing, and self-awareness by narrating...

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Main Author: Pavlos Kavouras
Format: Article
Language:English
Published: The NKUA Applied Philosophy Research Laboratory 2023-06-01
Series:Conatus - Journal of Philosophy
Subjects:
Online Access:https://ejournals.epublishing.ekt.gr/index.php/Conatus/article/view/32387
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author Pavlos Kavouras
author_facet Pavlos Kavouras
author_sort Pavlos Kavouras
collection DOAJ
description This article deals with the legendary figure of Eugenio Barba as a paradigmatic case to demonstrate the difference between the other theatre and the theatre of the other. Its main objective is to discuss the juxtaposition of performativity as (re)presenting, showing, and self-awareness by narrating the myth of Barba. The argument is presented through six interconnected caveats: the legend and its myth; The Moon rises from the Ganges: the story inside the myth; the critique of western civilization: an insider's story of self-reflexivity; the other theatre is not the theatre of the other; the life-world of the myth of Barba; and finally, performing otherness, othering performance. The article is addressed mainly but not exclusively to readers with a background in cultural anthropology, performance studies, theater studies, hermeneutics, phenomenology, history of civilization, literary theory, colonialism, and representation of the other.
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spelling doaj.art-3add0d169d1a4dfca349b2b3174222542023-07-02T07:36:18ZengThe NKUA Applied Philosophy Research LaboratoryConatus - Journal of Philosophy2653-93732459-38422023-06-018110.12681/cjp.32387Between and Betwixt the Other Theatre and the Theatre of the Other:Pavlos Kavouras0National and Kapodistrian University of Athens, Greece This article deals with the legendary figure of Eugenio Barba as a paradigmatic case to demonstrate the difference between the other theatre and the theatre of the other. Its main objective is to discuss the juxtaposition of performativity as (re)presenting, showing, and self-awareness by narrating the myth of Barba. The argument is presented through six interconnected caveats: the legend and its myth; The Moon rises from the Ganges: the story inside the myth; the critique of western civilization: an insider's story of self-reflexivity; the other theatre is not the theatre of the other; the life-world of the myth of Barba; and finally, performing otherness, othering performance. The article is addressed mainly but not exclusively to readers with a background in cultural anthropology, performance studies, theater studies, hermeneutics, phenomenology, history of civilization, literary theory, colonialism, and representation of the other. https://ejournals.epublishing.ekt.gr/index.php/Conatus/article/view/32387Performanceperformativityself-awarenessothernessotheringconsciousness
spellingShingle Pavlos Kavouras
Between and Betwixt the Other Theatre and the Theatre of the Other:
Conatus - Journal of Philosophy
Performance
performativity
self-awareness
otherness
othering
consciousness
title Between and Betwixt the Other Theatre and the Theatre of the Other:
title_full Between and Betwixt the Other Theatre and the Theatre of the Other:
title_fullStr Between and Betwixt the Other Theatre and the Theatre of the Other:
title_full_unstemmed Between and Betwixt the Other Theatre and the Theatre of the Other:
title_short Between and Betwixt the Other Theatre and the Theatre of the Other:
title_sort between and betwixt the other theatre and the theatre of the other
topic Performance
performativity
self-awareness
otherness
othering
consciousness
url https://ejournals.epublishing.ekt.gr/index.php/Conatus/article/view/32387
work_keys_str_mv AT pavloskavouras betweenandbetwixttheothertheatreandthetheatreoftheother