STYLE ORIENTATIONS AND AESTHETIC FEATURES OF TORU TAKEMITSU`S PIANO MUSIC

The article presents some problems concerning the style and musical aesthetic features of the Japanese composer Takemitsu. The piano music heritage of Toru Takemitsu is analysed in the context of his musicological and literal essays. Emphasis is also laid on a multitude of stylistic contexts of the...

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Main Author: GUMINIUK STANISLAV
Format: Article
Language:deu
Published: Notograf Prim 2018-11-01
Series:Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
Subjects:
Online Access:http://revista.amtap.md/wp-content/files_mf/15723576368.guminiuk.pdf
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author GUMINIUK STANISLAV
author_facet GUMINIUK STANISLAV
author_sort GUMINIUK STANISLAV
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description The article presents some problems concerning the style and musical aesthetic features of the Japanese composer Takemitsu. The piano music heritage of Toru Takemitsu is analysed in the context of his musicological and literal essays. Emphasis is also laid on a multitude of stylistic contexts of the composer’s creation, among which, alongside of the stylistics of the French composer O. Messiaen and the aesthetic „silence” of the American composer John Cage, are present the philosophy and artistic phenomena of the Japanese culture.
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spelling doaj.art-3af7d287b86040f08a0f1a96bbb19b5c2022-12-21T19:50:54ZdeuNotograf PrimStudiul Artelor şi Culturologie: Istorie, Teorie, Practică2345-14082345-18312018-11-012(33)4045STYLE ORIENTATIONS AND AESTHETIC FEATURES OF TORU TAKEMITSU`S PIANO MUSICGUMINIUK STANISLAV0Borys Grinchenko Kyiv UniversityThe article presents some problems concerning the style and musical aesthetic features of the Japanese composer Takemitsu. The piano music heritage of Toru Takemitsu is analysed in the context of his musicological and literal essays. Emphasis is also laid on a multitude of stylistic contexts of the composer’s creation, among which, alongside of the stylistics of the French composer O. Messiaen and the aesthetic „silence” of the American composer John Cage, are present the philosophy and artistic phenomena of the Japanese culture.http://revista.amtap.md/wp-content/files_mf/15723576368.guminiuk.pdftoru takemitsupiano musicaesthetics of the composer’s styleauthor’s commentariesprogramme musicjapanese ma-concept
spellingShingle GUMINIUK STANISLAV
STYLE ORIENTATIONS AND AESTHETIC FEATURES OF TORU TAKEMITSU`S PIANO MUSIC
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
toru takemitsu
piano music
aesthetics of the composer’s style
author’s commentaries
programme music
japanese ma-concept
title STYLE ORIENTATIONS AND AESTHETIC FEATURES OF TORU TAKEMITSU`S PIANO MUSIC
title_full STYLE ORIENTATIONS AND AESTHETIC FEATURES OF TORU TAKEMITSU`S PIANO MUSIC
title_fullStr STYLE ORIENTATIONS AND AESTHETIC FEATURES OF TORU TAKEMITSU`S PIANO MUSIC
title_full_unstemmed STYLE ORIENTATIONS AND AESTHETIC FEATURES OF TORU TAKEMITSU`S PIANO MUSIC
title_short STYLE ORIENTATIONS AND AESTHETIC FEATURES OF TORU TAKEMITSU`S PIANO MUSIC
title_sort style orientations and aesthetic features of toru takemitsu s piano music
topic toru takemitsu
piano music
aesthetics of the composer’s style
author’s commentaries
programme music
japanese ma-concept
url http://revista.amtap.md/wp-content/files_mf/15723576368.guminiuk.pdf
work_keys_str_mv AT guminiukstanislav styleorientationsandaestheticfeaturesoftorutakemitsuspianomusic